Amazon’s shadow, BookCon’s boost, IDPF’s confab, Chinese Trajectory, scalding-hot Scalzi: Must be BEA Just in time to chill the rising heat of late-May New York: news of troubled talks in the UK between the biggest bookseller and the biggest book publisher on Earth. As my colleague Philip Jones writes at The Bookseller, “Penguin Random House UK and Amazon… Read More
What if the 90 percent does write a book?
‘Your followers are so cynical’ In digital publishing, we’ve been talking about that “tsunami of content” (thank you, Jon Fine) for a long time. This week here at BookExpo America (BEA), however, we had a good remi nder that the world at large may not yet understand the stupendously deepening inventory that has come right along with… Read More
Should Authors Write Without Pay?
From anyone else, the advice might sound like right-headed rationality, itself. But as the author Roxana Robinson (pictured) can tell you, when you’re the president of the Authors Guild, nothing you say seems to fall on unbiased ears. This time, Robinson is talking about what authors may be doing to inadvertently diminish their own perceived… Read More
Illustrating a need for publishing reforms
Yes, she has to draw you a picture. Since our #FutureChat of Friday (15th May), we’ve had the news that illustrators Axel Scheffler, Chris Riddell, Birgitta Sif, and others — including the irrepressible Sarah McIntyre — are among contributors featured in a new book, Creatures, to be published by Macmillan Children’s Books in September. As our colleague at… Read More
This Illustration Is By Sarah McIntyre
It’s from her new book, just out, Dinosaur Police. And no sooner had Sarah McIntyre agreed to join us in our discussion [on 15th May]than my Twitter stream — and The Bookseller’s and The FutureBook’s — lit up with this great banner. Give me artwork for #FutureChat and I’ll follow you all the way to 4 p.m. London time.… Read More
Story Terrace comes to the UK in June: 'Everyday people's' memoirs
‘Drinking a glass of wine on a terrace’ Editor’s Note: One of the newer publishing-related startups at London Book Fair this year was Story Terrace. Launched last November in The Netherlands, it’s planned for a UK rollout in June. Story Terrace’s business? It “consigns the life stories of everyday people to a compact book with… Read More
'It's discovery that's lagging'
“A difficulty in marketing something that has no physical presence.” That’s the author Stark Holborn talking with my Bookseller associate Sarah Shaffi (pictured) about the question of digital-first publishing and its potential for writers, in Authors debate digital-first publication. And that line, appearing among many enthusiastic comments from writers about digital-first in Shaffi’s story, echoes the strongest qualm… Read More
Is digital-first best for authors?
As our understanding of digital publishing evolves, how much holds true for authors? Publishing digitally first can help authors to learn about the publishing process, make writers more critical of their own work and help reinvent an author, but the format should only be used in the right context as there is “a difficulty in… Read More
'Smart layers' and resistance: Joe Wikert on the 'Dynamic Book'
Allowing publishers to ‘webbify’ the book At Books in Browsers, the annual conference produced by Peter Brantley, you hear the phrase “networked book” quite a bit. In its most reachy potential, the “networked book” is an exhilarating concept of information existing in its most connected state — whatever that state might be. No longer a thing but… Read More
From Boston's #TheMuse: Whatever happened to 'author-ity'?
When Everybody Publishes, Is Anybody An Authority? The Muse and The Marketplace has opened on Friday, 1st May, with of authority in digital times was followed Friday (1st May) by our weekly #FutureChat from The Bookseller’s The FutureBook. The Muse annually draws some 800 attendees and is produced by the highly respected Grub Street creative writing center,… Read More