A message to #FutureBook15 from #AuthorDay

To work together, not as antagonists The Bookseller’s Author Day conference opened this year’s FutureBook Week on Monday (30th November). It was the inaugural staging of a conference expressly meant to bring together publishing professionals, traditionally publishing authors, and self-publishing authors. Our term for the conference’s intent is “issues-driven,” by which we meat that it was not… Read More

Does writing matter in a 'not book'?

‘Writing created for a digital space’ Late in her review of The Pickle Index for The FutureBook, Ami Greko tells us that Eli Horowitz and Russell Quinn (who, as Sudden Oak, also produced The Silent History) have given us another case in which the writing that forms the narrative spine of this new digital interactive storytelling… Read More

Publishers And Authors: Inviting Them To The Same Party

Every Job In Publishing Depends On Authors How is book publishing divided today? Let’s not count the ways. Outsiders looking into this beleaguered industry, however, might be surprised at the reticence many authors and publishers can have about each other. Maybe about being around each other. Meeting each other. Talking more than friendly chitchat or… Read More

Divisions and support at #AuthorDay

Open submissions, face-to-face feedback New developments in our Author Day (#AuthorDay) planning for 30th November are helping us to bring elements of practical author support, one-on-one networking, and advice into the mix alongside our issues-driven core discussions. Quickly: Publishers and editors from Pan Macmillan and from HarperCollins’ divisions Harper Fiction, The Borough Press and Harlequin will… Read More

Reaching for accord: Authors' Contracts and Controversies

Authors approaching accord  Two venerable author advocate groups,  the UK’s Society of Authors and the Authors Guild in the USA, have recently stepped into the limelight to announce that they are fighting for fairer contracts between publishers and authors. The impetus for these actions seems to come from reports that authors’ median incomes have dropped precipitously since 2009, while publishers have fared… Read More

Will We Ever Be Able To Trust Online Reviews?

‘Fake Reviews Are Still Rife’ Three summers ago, in August 2012, one of the hottest stories of the year came from the book-retail sector. The author John Locke had confirmed to The New York Times’ David Streitfeld that he had paid for reviews, lots of them, starting with 50 reviews of his books for $1,000. The… Read More

Authors making $8,000 per year? Why write free? A #FutureChat recap

‘Question is, are you making money for someone else?’ That’s the  historical fiction author Jane Steen, English, based in Chicago, during our live Twitter conversation at the end of last week. But not for nothing do independent writers like to “celebrate their diversity,” as they tend to put it on a good day. Views of… Read More

'It's discovery that's lagging'

“A difficulty in marketing something that has no physical presence.” That’s the author Stark Holborn talking with my Bookseller associate Sarah Shaffi (pictured) about the question of digital-first publishing and its potential for writers, in Authors debate digital-first publication. And that line, appearing among many enthusiastic comments from writers about digital-first in Shaffi’s story, echoes the strongest qualm… Read More

The winter of our discontent with the ISBN

ISBN: Not much more traction than the first snowfall on London I’m just glad Amazon & B&N do reveal overall sales ranks so we can measure their mix of sales that way. Other retailers, including Apple, do not, limiting us to only estimating the very top books in a limited number of categories on those… Read More

#FutureChat recap: Crowdfunding's crowded fund of opinion

‘A writer’s work has value and should be paid for’ As our #FutureChat recap comes to the ether, my Bookseller colleague Philip Jones, inCornerstone in joint venture with Unbound,  is reporting that the UK’s Penguin Random House imprint Cornerstone will take over publishing trade editions of books crowdfunded on the Unbound platform. Jones writes: Unbound… Read More