Tales From Simon Stålenhag: His Amazon Original Series
My collective seashell,’ as Simon Stålenhag puts it, ‘sounds like that’—his artwork, his texts, and the new cinematic treatment of his first book created by writer-producer Nathaniel Halpern.
My collective seashell,’ as Simon Stålenhag puts it, ‘sounds like that’—his artwork, his texts, and the new cinematic treatment of his first book created by writer-producer Nathaniel Halpern.
The iconoclastic author, filmmaker, and relentless critic of the digital era’s challenges gives a keynote for the European Film Market Horizon and DLD.
As the US Senate opens the trial of the impeached Donald Trump, American political books rise on the updraft of media coverage.
Costing the books industry as much as €528M, piracy is a major target for Italian book and news publishers in 2020.
Arabic-to-English translator Marilyn Booth talks about the challenges and positive signals she sees for bringing new readers to Arabic literature in translation.
The chief of Netflix International Originals at Frankfurt tells publishers that she actively wants to consider their stories for development: ‘I see us as partners, not competitors.’
At the Annenberg, Kathleen Hall Jamieson’s ‘Library of Alexandria moment’ is a warning to publishers that their essential content could go up in cyber-flames.
The massive audiences and lucrative development of the streaming platforms can mean some tough choices for publishers trying to map out screen success.