‘When Inspiration Flows’ The opening tone — lonely and anticipatory — is the last serene moment of the late Allan Pettersson’s Symphony No. 4. Whether he has his strings rush up to a precipice and hold while the woodwinds dither on the edge — or sends whole sections of his orchestra chasing each other, repeating… Read More
Music For Writers: ‘Self-Publishing’ Cellist Kate Dillingham
Crossings: ‘A Whole CD Of New Music’ It’s a big change that’s happened in both literature and in music. The DIY aspect of it. Do it yourself.The necessary focus that many of us maintain these days on the development of the self-publishing sector in the books world can sometimes cause us to look right past the fact… Read More
Music For Writers: The Colorist Kaija Saariaho’s ‘Instants’ Of Love
‘Perfume Of The Instant’ While writers talk of “color commentary,” they actually mean something not that different from what in music we might call great “colorists” among composers. And in world music, Finland’s composers are surely among those most prized for their work in creating sonic “color.” Einojuhani Rautavaara is perhaps chief among the great… Read More
Music For Writers: Playful Andrew Norman
‘Every Now And Then, I Just Want To Throw A Wrench In’ Imagine the orchestra as this sort of complicated 19th-century futurist machine, all moving parts and cogs and gears, and little people. I find that sort of fascinating. But every now and then, I just want to throw a wrench in and see what… Read More
Music For Writers: Martin Bresnick And The Terrible Beauty Of Sorrow
‘We Will Always Sing Such Songs Of Longing’ Each time I visited, my grandmother wept bitterly about the murder of her parents, her brother, her two sisters, and all their children. Can a child comfort a grandmother, a grandfather? I became a witness, a musician, and a composer. Martin Bresnick is a native New Yorker.… Read More
Music For Writers: When Florent Ghys Watches ‘Télévision’
Forget Your Writing Prompts This is the album of the future, and it’s fast becoming a hit. So says a pert, authoritative voice in the opening of the second track on composer-performer Florent Ghys’ new album Télévision from Cantaloupe Music. It’s called a CD. That’s short for compact disc. The music on one of these is… Read More
When ‘There Are No Words,’ I Can’t Even
One of the most perceptive regulars in #FutureChat, The FutureBook digital publishing community’s weekly live discussion, is Carla Douglas of BeyondPaperEditing.com in Kingston, Ontario. And in a recent doing of the discussion, Douglas pointed out that writing, while once among the most isolated and solitary of careers has been made one of the most social by digital… Read More
Music For Writers: Donnacha Dennehy’s New Chapbook
A Sonic Anthology: The Abstract Gone Narrative There’s a kind of single-composer album that’s a lot like a writer’s collection of short stories or poems. So much of this ilk is the composer Donnacha Dennehy’s new album for RTEthat it arrives without an over-arching title of its own. It’s simply Donnacha Dennehy: Crane/O/The Vandal/Hive. Those… Read More
Music For Writers: The Tidal Grace In Paola Prestini’s ‘Oceanic Verses’
Mapping Her Internal Geography This idea of disparate energies colliding is very much a part of everything I do. I’m interested in energies and styles that don’t necessarily go together and weaving them into a tapestry that to me makes sense. You can hear the singular beauty of Paola Prestini’s weave — and waves — in the newly… Read More
Music For Writers: Cerrone’s ‘Cities’ Of Ancient Urban Mythology
Turn Off The Lights I have to agree with Tony Frankel at Stage and Cinema on this one: Get into your headphones and shut your eyes. Invisible Cities wants to live inside your head. And the darker that place might be, the better. Never in all my travels had I ventured as far as Adelma.… Read More