Missa Charles Darwin — And Amino Acids In order to bind the work together I devised an opening idea linked to Darwin, evolution, and genetics. Using a portion of the genetic sequence from Platyspiza crassirostris(a bird from the group commonly known as Darwin’s Finches), I translated the amino acids into notes, thereby deriving a melody. And Gregory W.… Read More
Music For Writers: The Pettersson Legacy Of Fire And Ice
‘When Inspiration Flows’ The opening tone — lonely and anticipatory — is the last serene moment of the late Allan Pettersson’s Symphony No. 4. Whether he has his strings rush up to a precipice and hold while the woodwinds dither on the edge — or sends whole sections of his orchestra chasing each other, repeating… Read More
Music For Writers: ‘Self-Publishing’ Cellist Kate Dillingham
Crossings: ‘A Whole CD Of New Music’ It’s a big change that’s happened in both literature and in music. The DIY aspect of it. Do it yourself.The necessary focus that many of us maintain these days on the development of the self-publishing sector in the books world can sometimes cause us to look right past the fact… Read More
Music For Writers: The Colorist Kaija Saariaho’s ‘Instants’ Of Love
‘Perfume Of The Instant’ While writers talk of “color commentary,” they actually mean something not that different from what in music we might call great “colorists” among composers. And in world music, Finland’s composers are surely among those most prized for their work in creating sonic “color.” Einojuhani Rautavaara is perhaps chief among the great… Read More
Music For Writers: Playful Andrew Norman
‘Every Now And Then, I Just Want To Throw A Wrench In’ Imagine the orchestra as this sort of complicated 19th-century futurist machine, all moving parts and cogs and gears, and little people. I find that sort of fascinating. But every now and then, I just want to throw a wrench in and see what… Read More
Music For Writers: John Luther Adams – ‘To Become An Aeolian Harp Myself’
‘The Sheer Sensuous Pleasure Of Sound’ Having heard and re-heard the three movements of John Luther Adams’ The Wind in High Places many times in its new recording from Cold Blue Music, I knew exactly what I wanted to ask the composer about it. John Luther Adams His speed. These ineffable tempi. Like Robert Wilson’s… Read More
Music For Writers: Martin Bresnick And The Terrible Beauty Of Sorrow
‘We Will Always Sing Such Songs Of Longing’ Each time I visited, my grandmother wept bitterly about the murder of her parents, her brother, her two sisters, and all their children. Can a child comfort a grandmother, a grandfather? I became a witness, a musician, and a composer. Martin Bresnick is a native New Yorker.… Read More
Music For Writers: When Florent Ghys Watches ‘Télévision’
Forget Your Writing Prompts This is the album of the future, and it’s fast becoming a hit. So says a pert, authoritative voice in the opening of the second track on composer-performer Florent Ghys’ new album Télévision from Cantaloupe Music. It’s called a CD. That’s short for compact disc. The music on one of these is… Read More
Music For Writers: The Tidal Grace In Paola Prestini’s ‘Oceanic Verses’
Mapping Her Internal Geography This idea of disparate energies colliding is very much a part of everything I do. I’m interested in energies and styles that don’t necessarily go together and weaving them into a tapestry that to me makes sense. You can hear the singular beauty of Paola Prestini’s weave — and waves — in the newly… Read More
Music For Writers: Cerrone’s ‘Cities’ Of Ancient Urban Mythology
Turn Off The Lights I have to agree with Tony Frankel at Stage and Cinema on this one: Get into your headphones and shut your eyes. Invisible Cities wants to live inside your head. And the darker that place might be, the better. Never in all my travels had I ventured as far as Adelma.… Read More