In Josh Malerman’s debut, Bird Box, the role of Malorie brings to new literature a distinctively male recognition of strong women. Like Hugh Howey’s Vic in Sand and Jules in Wool and Montana in Peace in Amber, Malerman writes a rational intelligence that women may too easily take for granted in themselves and each other. Read More
Publishing, Between Revolution and Revolt
Follow that burning fuse. It runs between these two curiously different words. We may need to think about which of them is closer to us. Revolution. Pretty comfortable. Thanks to Madison Avenue, we nowadays say “revolution” for every change, from geopolitical alliances to bathroom tissue. Revolt. Not so comfortable. More acute. Something or someone feels out of control. It’s an uprising, not a downfalling. Dangerous. Read More