The Importance of a Web site in Self-Publishing

Image - iStockphoto: Kanawa Studio
Image – iStockphoto: Kanawa Studio

‘The One Piece of Digital Real Estate the Author Can Actually Own’

Authors who are self-publishing their work won’t be surprised to hear the line, “There is a big disconnect between big publishers and their authors.” But the source of that comment and its intent may raise some eyebrows: It’s longtime industry consultant Mike Shatzkin, and he’s writing about author websites.

Shatzkin, who annually directs the industry-facing Digital Book World Conference in New York, writes:

“But what is always true is that the Web site is the one piece of digital real estate the author can actually own, which is not subject to some change in rules or process that will affect its discovery in search or the ability to use it for any purpose of the author’s choosing.

Shatzkin’s main purpose here is to encourage publishing houses to help authors create and maintain the most effective web sites they can, and he’s coincidentally getting at one of the ironies of independent publishing: most self-publishing authors are probably better at understanding the importance of a good site because they direct their own marketing.

Among those who don’t get the priority of their own site, we usually hear, “Oh, but I just use my Facebook page instead of a separate site.” This can be a dangerous move.

As my Hot Sheet colleague Jane Friedman has pointed out many times — including in this post at her site years ago — there are three reasons that Facebook is not a good substitute for your own site. As Friedman tells us:

  • “People may leave Facebook.” Remember MySpace? Once it was all the rage, not Facebook. Things change. You don’t want to lose your base camp when they do.
  • “Facebook is not under your control.” Friedman writes: “You can never control what Facebook does—with its design, with its user interface, with your likes/followers, with its functionality, with its ad displays.”
  • “A Web site is the most effective way to deliver information to your audience.” What she’s talking about here is searchability — the great strength of the Internet — as the fundamental value of a strong site. As Shatzkin puts it in his piece, “Best practice is to optimize a landing page on the author’s site for each of the most commonly-searched terms that could lead to real interest or the sale of a book.”

Does the importance of your site, however, mean that you have to blog? No. In many cases, especially for nonfiction writers, blogging makes sense. But in many others, it doesn’t. Blogging isn’t the point of your author site unless it’s a meaningful and time-effective way for you to serve and connect with your readership.

The real point is that connection.

You want your site to get the right info to a busy visitor fast. And the “right info” may not be your book. The real value of the Internet context for authors today is connection, networking, access. You want them to land on your site and learn everything they need to connect with you, to feel they’d like to be in touch with you, to feel they have access to you.

So what needs to be front and center?

There’s more: Read the full story at IngramSpark, exclusive sponsor of The Hot Sheet from Jane Friedman and me.

By Porter Ander­son

Originally published at IngramSpark


Authors: To subscribe to The Hot Sheet—the essential industry newsletter for authors from Jane Friedman and Porter Anderson—click here and enjoy our 30-day free trial. We’re at @HotSheetPub on Twitter.

 TheHotSheet 600 2015-03-08_18-54-25

600 x 200 TEP this one

Publishers Forum 600 x 120

Main banner 600 x 124

600 digicon-bea-2016-logo

HOW Live 2016 600 x 118

600 PP Rights confab lined

WDC NYC 2016 6OO X 120

Leave a Reply