WRITING ON THE ETHER: The Daunting

Porter Anderson, Writing on the Ether, Jane Friedman, author, publisher, agent, books, publishing, digital, ebooks


Rumors of Water by LL BarkatRumors of Water:
Thoughts on Cre­ativ­ity & Writing

Named a Best Book of 2011: Engle­wood Review of Books and Hearts & Minds Books

I read it in three sit­tings. Then I read it again. It’s a beau­ti­ful book, eas­ily my favorite book on writ­ing since Bird by Bird.”

—author Kim­ber­lee Con­way Ireton

Find out more on Ama­zon and down­load a sam­ple to your Kindle.


By Porter Ander­son | @Porter_Anderson

 

From May 24, 2012

Part of my series of columns on pub­lish­ing, Writ­ing on the Ether, appear­ing Thurs­days at the invi­ta­tion of Jane Fried­man at JaneFriedman.com

 

The Daunt­ing

Saints pre­serve us, the Bezosian Beelze­bub has struck again, this time spin­ning his stink­ing seduc­tions, pants on fire, in the High Street, itself.

Publishing’s pun­ditti and free-range blog­gers have been on over­drive since Mon­day, of course, heav­ing their loud­est lamen­ta­tions back and forth across the Atlantic over the news that the UK bricks-and-mortar book­store chain Water­stones has made a deal to sell Kindles.

Porter Anderson, Writing on the Ether, Jane Friedman, author, publisher, agent, books, publishing, digital, ebooks

Water­stones / Image: paidContent

In fact, let’s stop right there, get up, and run around the room for a good 45 to 60 sec­onds before con­tin­u­ing. Rejoin me here after you’ve taken your Indig­na­tion Lap.

OK, good, wel­come back.

It’s bad enough for lots of folks to have thought Water­stones was get­ting cozy with Barnes and Noble about the Nook, only to find that Lucifer’s Own eReader is actu­ally the con­quer­ing device.

But what’s worse, the company’s man­ag­ing direc­tor, James Daunt, maybe he was Water­stoned at the time, did this deal with Ama­zon with­out call­ing up each of our com­men­ta­tors first for his or her permission.

Unthink­able cheek! We are beside our­selves. An arrange­ment to offer hand­guns for sale in the front win­dows of the bookseller’s more promi­nent loca­tions may have gone down much more eas­ily than this blast of blasphemy.

Why the Waterstones/Amazon deal could hurt Water­stones — paid­Con­tent http://t.co/n2yz997E
@turndog_million
Turn­dog Millionaire

 

To be sure you catch the acrid air of sheer dis­gust here, I offer you a round of head­lines. Sit well back from your screen, safety first.

Water­stones Let The Fox Into The Chicken Run. That one is Mar­tyn Daniels at The­Fu­ture­Book, who, in fact, comes back for a sec­ond day, still fum­ing, with: Water­stones: Kiss­ing Their Cus­tomers Good­bye.

Daunt dances with the devil. That’s our good col­league Philip Jones at The­Fu­ture­Book, ref­er­enc­ing a phrase that has come to rather haunt Daunt — no extra charm for the rhyme. Ah, dis­tinctly I remem­ber, it was in the bleak Decem­ber that Daunt was quoted as say­ing, “Ama­zon are a ruth­less, money-making devil, the consumer’s enemy.”

(Yanks: The Brits refer to com­pa­nies in the plural. So “Ama­zon are” to them is “Ama­zon is” to us. Daunt may have dis­par­aged his future dance part­ner, but he didn’t mis­take a fox­trot for a square dance, as it might seem to US sensibilities.)

Still wait­ing for indie book­sellers to declare AMZN/Waterstones the devil’s work and for the AAP and AG to sue some­one, anyone.
@DonLinn
Don Linn

 

Author Nick Hark­away went for the Huston-Eastwood treat­ment on his first pass, The Unex­pected. Then he cir­cled back again — and another thing, damn it — for Day Two, a bit more begrudg­ing, maybe: Waterstones/Amazon: Clever, But Scary.

@ @ @ Water­stones could be Pot­ter­more, mul­ti­ple devices, mul­ti­ple for­mats, but sadly that is not the deal here
@philipdsjones
Philip Jones

 

Even the dean of our com­men­ta­tors, Mike Shatzkin, couldn’t tem­per the sur­prise fac­tor, get­ting out a fast turn head­lined Shock­ing news from the UK: Water­stones sell­ing the Kin­dle.

So look, I’ve also selected for you the lilt­ing tack taken by some­one we don’t so fre­quently hear from in these tus­sles, a UK writer for CNET named Luke West­away.

You have to love his head­line: Water­stones to sell Ama­zon Kin­dle in pos­si­bly unwise move. May I ever-so-sweetly sug­gest that we all could take a gen­tle les­son from Friend West­away about not over­stat­ing what we know in our headlines?

(Mike Cane, my good buddy, I’m talk­ing to you, with your Water­stones Talks Big Then Sur­ren­ders To Ama­zon head­line. And your first line: “Here’s a les­son for you, kids. Just STFU or this can be you!” I don’t know why, but the word “intem­per­ate” just keeps com­ing to mind, crazy, huh?)

Here’s West­away:

Water­stones pri­mar­ily sells books made of mushy tree, so you’d think it would be less keen on the idea of invit­ing the all-consuming dig­i­tal com­pany into its brick-and-mortar shops. I’ve tried to puz­zle out a way the move could help Water­stones, but this does feel rather like the three lit­tle pigs offer­ing to pay for the wolf’s deep breath­ing classes.

Thank the Lord some­body in the Sceptered Isle still can do that with the language.

In fact, West­away goes so far as to offer you the Water­stones video in which James the Reviled tries to say some­thing for him­self about his “curi­ous move” (Westaway’s phrase). I’m embed­ding the tape — with its twinkly love-of-books music, sounds as if Jo Rowl­ing is just around the next stacks — so you can enjoy it for your­self and at least let Daunt plead his case.

The point West­away is mak­ing, how­ever elo­quently, is right. Crown­ing the Water­stone embrace of Amazon’s Kin­dle “fam­ily” is this thing of, as Hark­away puts it, “the gold­fish offer­ing to clean the cat’s teeth with his head.”

Remem­ber Bor­ders. Here is Laura Haz­ard Owen in her own sec­ond pass at the story, Why the Waterstones/Amazon deal could hurt Water­stones:

Water­stones’ out­sourc­ing of its dig­i­tal shop­ping expe­ri­ence to Ama­zon is rem­i­nis­cent of the deal that the now-defunct U.S. book­store chain Bor­ders made with Ama­zon in 2001. By the time Bor­ders ended that deal six years later, it had lost years of man­ag­ing its own dig­i­tal strat­egy and placed its cus­tomers right in Amazon’s hands. As a for­mer Bor­ders employee told Bloomberg last sum­mer when Bor­ders liq­ui­dated its remain­ing stores, Bor­ders “ended up being a customer-harvesting vehi­cle for Amazon.”

That ques­tion of seem­ingly hand­ing over the dig­i­tal cus­tomer base of Water­stones to Seat­tle is, far and away, the most troubling.

Water­stones: Kiss­ing Their Cus­tomers Good­bye | Future­Book http://t.co/2mXrOGAd
@cathryanhoward
Cather­ineRyan­Howard

 

Hark­away, in his second-day take on the mat­ter, gets at it this way:

One major issue has begun to loom larger in my think­ing …and that is the impact of Water­stones’ ded­i­cated heavy read­ers con­vert­ing to ded­i­cated dig­i­tal read­ers on Amazon’s plat­form. The sales those ded­i­cated heavy read­ers drove will be lost to Waterstones.

But, as Shatzkin points out, in agree­ment with Owen, there are ques­tions, too, of how the deal ben­e­fits Water­stones finan­cially. He writes:

Michael Cader in Pub­lish­ers Lunch reads the press releases the same way I do and we both get the mes­sage that the only ebooks Water­stones will share rev­enue on are those that are pur­chased over Water­stones’ in-store wifi network.

And Cader, in that arti­cle, Water­stones In “Far-Reaching” Alliance with Ama­zon to Sell Kin­dle, gets at some­thing a lot of us noticed — word of the deal came right atop a fea­ture in the Guardian. Here’s Cader:

Hav­ing walked into a puff piece over the week­end claim­ing Water­stones’ dig­i­tal ini­tia­tive would be “immi­nent” and quot­ing Daunt say­ing, “We’ll be dif­fer­ent from Ama­zon, and we’ll be bet­ter” (while bizarrely imply­ing that pub­lish­ers are sin­is­ter mas­ter­minds behind “the semi-corrupt prac­tice” of mak­ing books return­able), the Guardian repents today with a head­line that reads, “Water­stones Kin­dle a deal for destruc­tion with Amazon.”

That “deal for destruc­tion” piece is a blog post at the Guardian, from Richard Lea, and freighted, like so many writes on the topic, with opin­ion. It’s worth not­ing Lea’s first line, cun­ningly redo­lent with the indus­try! the indus­try! hysteria:

Mon­day morn­ing and already it’s the end of the world.

Water­stones’ dig­i­tal dilemma is mostly fault of pre-Daunt man­age­ment, but Daunt will for­ever be remem­bered for doing deal with Amazon
@arhomberg
Andrew Rhomberg

 

The Guardian’s set piece is from Zoe Wood, the paper’s retail writer, stead­ier as she goes, in Water­stones deal with Ama­zon puts Kin­dle and ebooks instore. You can hardly ask for a more restrained line than this:

Ama­zon is a con­tro­ver­sial player in the book indus­try with both pub­lish­ers and retail­ers com­plain­ing that its aggres­sive pric­ing is under­min­ing the suc­cess of the whole industry.

Wood does get the job done with an impor­tant point the more emo­tional writ­ers tend to over­look, one that helps explain the tenor of the UK reac­tion to all this:

Last month the Guardian reported that Amazon.co.uk paid no cor­po­ra­tion tax on the prof­its gen­er­ated by last year’s UK sales of £3.3 bil­lion – and is under inves­ti­ga­tion by the UK tax authorities.

Never a screamer, Eoin Pur­cell in Dublin does, at this writ­ing, have two rounds of com­men­tary out on the sit­u­a­tion already, yes, but as usual he man­ages to work in some thought­ful per­spec­tive worth tak­ing onboardl. In Thoughts On » Water­stones & Ama­zon:

The value of inac­tion is often under­es­ti­mated and right now when the ebook retail and dis­tri­b­u­tion space is chang­ing rapidly and requires such a huge invest­ment, this move brings rev­enue, options but most cru­cially of all, time to just see what hap­pens while rebuild­ing the core book­selling busi­ness. Impressed by the cojones if noth­ing else!

Porter Anderson, Writing on the Ether, Jane Friedman, author, publisher, agent, books, publishing, digital, ebooks

Matt Gart­land has cre­ated another of his “In Three Words” series, this one look­ing at the future of jour­nal­ism. / At WinningEdits.com

As it turns out, a write that’s been favor­ably com­mented on by sev­eral folks comes from Tim Car­mody at the Verge. It’s head­lined Amazon’s Kin­dle deal with Water­stones deflates Nook’s global bal­loon – hysteria-free, you notice, plus it takes the story a step far­ther, to make us think, “Oh, yeah, what about Barnes and Noble and the Nook?”

Car­mody takes the time to lis­ten to a bit of Daunt-running-the-gauntlet, enough at least to catch and high­light for us this line:

We had to give the cus­tomers what they wanted”

That hits some­where near home in an indus­try try­ing to con­vince itself that the reader is our cus­tomer. So Car­mody has gone about get­ting our atten­tion with an unstated reminder of a newly pro­mul­gated prin­ci­ple. Then he reminds us that the Kin­dle is the reign­ing ereader at the home office:

Water­stones would effec­tively have to build the Nook e-reader brand up from scratch…Right now and for the imme­di­ate future, Amazon’s Kin­dle is the best viable candidate.

For its part, Car­mody writes, Ama­zon needs a way to roll out the Kin­dle fam­ily of devices since only the basic Kin­dle is in wide­spread use yet in the UK. And Water­stones is a known, home-rule fixture.

Water­stones now becomes Amazon’s friendly British face. That’s well worth a small cut of e-books and e-readers sold inside Water­stones’ shops.

Best line in this story goes to For­rester ana­lyst @: “Ama­zon doesn’t want to be anyone’s bitch.” http://t.co/AYRMFecU
@tcarmody
Tim Car­mody

 

And best in class? For an infor­ma­tive and well-crafted write, see the work of Tim Brad­shaw and Andrea Fel­sted in Lon­don with Bar­ney Jop­son in New York for the Finan­cial Times.

Their story has the bonus of an object les­son in how to write a clean head­line: Water­stones strikes deal with Ama­zon. They quote Daunt:

Our prob­lem was that the part of the mar­ket being served by high-street book­shops is in decline and we have to do some­thing about it…We are in the busi­ness of sell­ing reading.”

Click to read this week’s full Writ­ing on the Ether col­umn at JaneFriedman.com.

Good morn­ing, every­one. Did some­thing hap­pen with Water­stones and Ama­zon last night? If only my Twit­ter feed was men­tion­ing this…
@Ginger_Clark
Gin­ger Clark

About Porter Ander­son

Porter Ander­son, BA, MA, MFA, is a Fel­low with the National Crit­ics Insti­tute and has done spe­cial read­ings in the psy­chol­ogy of the arts at the Uni­ver­sity of Bath, UK. As a jour­nal­ist, he has worked with three net­works of CNN (CNN USA, CNN Inter­na­tional, CNN.com) and was on the lead devel­op­ment team for CNN.com Live. He also has worked on The Vil­lage Voice, Dal­las Times Her­ald, D Mag­a­zine, Sara­sota Herald-Tribune and other out­lets. He writes the weekly (Thurs­days) WRITING ON THE ETHER col­umn at JaneFriedman.com and (Mon­days) ETHER FOR AUTHORS col­umn at PublishingPerspectives.com. Ander­son also is a reg­u­lar con­trib­u­tor to WriterUnboxed.com and to Dig­i­tal Book World’s (DigiBookWorld.com) Expert Pub­lish­ing Blog. He has been posted by the United Nations to Rome (P-5, laissez-passer) for the World Food Pro­gramme, and served as Exec­u­tive Pro­ducer to INDEX: Design to Improve Life in Copen­hagen. He is based in Tampa and his pri­mary medium is Twit­ter. Fol­low him @Porter_Anderson

Writing on the Ether | JaneFriedman.com

Porter Anderson, Writing on the Ether, Jane Friedman, author, publisher, agent, books, publishing, digital, ebooks

By Porter Ander­son | @Porter_Anderson

 

From May 17, 2012

Part of my series of columns on pub­lish­ing, Writ­ing on the Ether, appear­ing Thurs­days at the invi­ta­tion of Jane Fried­man at JaneFriedman.com

 


Rumors of Water by LL BarkatRumors of Water:
Thoughts on Cre­ativ­ity & Writing

Named a Best Book of 2011: Engle­wood Review of Books and Hearts & Minds Books

I read it in three sit­tings. Then I read it again. It’s a beau­ti­ful book, eas­ily my favorite book on writ­ing since Bird by Bird.”

—author Kim­ber­lee Con­way Ireton

Find out more on Ama­zon and down­load a sam­ple to your Kindle.


The Dance Darkens

The class-action suit in ques­tion is the one brought by a num­ber of US states, filed on the same day (April 11) as the Depart­ment of Justice’s own action against the com­pa­nies. The num­ber of states involved in the class has since bal­looned from 16 to 31.

Jacqui Cheng, writ­ing from the Ars Tech­nica van­tage point in Judge: Ample evi­dence that Apple “know­ingly joined” e-book con­spir­acy, looks first, of course, for the tech-defendant’s posi­tion after Tuesday’s U.S. Dis­trict Court opinion.

Not a pretty sight. Cheng’s second-deck headline:

Apple hasn’t been found guilty yet, but the judge’s com­ments don’t bode well.

DOJ Law­suit Update: Where Win­dow­ing Becomes Impor­tant http://t.co/F3XdGjLt by @ #TOCCN #Fol­lowReader
@toc
Tools of Change

 

Ali­son Frankel at Reuters Legal is even clearer in her head­line: Rul­ing in ebooks class action is blow to defense in DoJ antitrust suit. Frankel writes:

The pub­lish­ers were hop­ing that the class action didn’t meet the high plead­ing stan­dard for antitrust com­plaints under the U.S. Supreme Court’s rul­ing in Bell Atlantic v. Twombly, but (US Dis­trict Court Judge Denise) Cote found there were plenty of the spe­cific, well-supported alle­ga­tions of col­lu­sion that Twombly demands.

Jim Mil­liot at Pub­lish­ers Weekly head­lined his story with as lit­tle emo­tion as pos­si­ble: Court Rejects Motions to Dis­miss Class Action Against Apple, Pub­lish­ers. He main­tained an admirable level of restraint through­out his write:

In her deci­sion to let the civil suit move into the dis­cov­ery phase, Judge Cote wrote that the suit “plau­si­bly alleges that Apple and the Pub­lisher Defen­dants took part in a con­spir­acy in restraint of trade, that an object of this con­spir­acy was to raise prices for eBooks, and that this restraint was unrea­son­able per se.”

Judge Cote had, as Mil­liot wrote, “rejected all of Apple and the pub­lish­ers’ argu­ments to dismiss.”

ugly “truth” about how agency pric­ing came to be — it blows your mind; this is not clu­bish­ness, this IS col­lu­sion #in http://t.co/SfxnTYAO
@arhomberg
Andrew Rhomberg

 

Judge comes down hard on pub­lish­ers, Apple in e-book case, wrote paidContent’s Jeff John Roberts.

Cote’s opin­ion is at times remark­able for the emphatic lan­guage in which she decries the alleged conspiracy.…(Her) opin­ion is at times remark­able for the emphatic lan­guage in which she decries the alleged conspiracy.

Roberts adds:

Three of the pub­lish­ers (Hachette, Harper Collins and Simon & Schus­ter) have already set­tled an antitrust law­suit with the Depart­ment of Jus­tice and agreed to change their pric­ing prac­tices. The three pub­lish­ers are also in nego­ti­a­tions with state gov­ern­ments under which they are likely to pay tens of mil­lions in con­sumer resti­tu­tion. In plain Eng­lish, this means that peo­ple who bought an e-book in the last few years may receive a small set­tle­ment payment.

Why does Judge Denise Cote want to give the future of pub­lish­ing to Ama­zon? http://t.co/ytJbIjhg via @ @
@RavenRequiem13
PW Creighton

 

Robert’s paid­Con­tent col­league Laura Haz­ard Owen looked over the states’ amended com­plaint paper­work and found that por­tions that had been redacted in April (for unknown rea­sons) now has been left vis­i­ble. Her write is head­lined As 17 more states join class action against book pub­lish­ers and Apple, new details revealed.

For exam­ple:

“The Club”: In Sep­tem­ber 2009 as the pub­lish­ers con­sid­ered “win­dow­ing,” or stag­ger­ing the print and dig­i­tal releases of a book, they “ref­er­enced them­selves in one email as ‘the Club!’” This was in ref­er­ence to win­dow­ing dis­cus­sions and not to agency pric­ing dis­cus­sions with Apple.

@ Because they couldn’t remem­ber the word ‘car­tel’ at the time?
@DonLinn
Don Linn

 

Indeed, much of the “stu­pid DoJ!” crowd noises that had fol­lowed the orig­i­nal fil­ing in April were miss­ing this week. An email list or two had a few spir­ited exchanges, but with­out the feisty, devil-may-care, you-call-that-collusion? wit we’d seen for a month. Some called the newly revealed bit of the com­plaint in Owen’s story “damn­ing.” Oth­ers took issue with the term.

More fuss, less debate, this time. #haha at best. No #hahaha’s to be heard. It got more seri­ous this week.

And Michael Cader at Pub­lish­ers Lunch wrapped some pretty painful sobri­ety in the  grace of clar­ity. In Judge Cote Rejects Motions to Dis­miss Agency Class Action Suit; Shows Sym­pa­thy for the Plain­tiffs, his rea­soned, help­ful assessment:

The ini­tial read of Tuesday’s rul­ing can only give encour­age­ment to the plain­tiffs and pause to the defen­dants (and their defend­ers) at this stage, as Judge Cote con­fi­dently swats away all of the argu­ments made by the defen­dants in their dis­missal motions.

Cader went even fur­ther, in order to assist book-biz observers parse legal implications:

Some peo­ple in the book indus­try won­dered how a case could be built around mostly cir­cum­stan­tial evi­dence and infer­ences, but Judge Cote writes that since “unlaw­ful con­spir­a­cies tend to form in secret, such proof will rarely con­sist of explicit agreements.”

Indeed, Cader explained, Cotes has gone to some length on the lay assump­tion that cir­cum­stan­tial evi­dence might be inadequate.

She (Judge Cote) cites case law that indi­cates “the antitrust plain­tiff should present direct or cir­cum­stan­tial evi­dence that rea­son­ably tends to prove that the [defen­dant] and oth­ers had a con­scious com­mit­ment to a com­mon scheme designed to achieve an unlaw­ful objective.”

Thirty-one states are now suing Apple and pub­lish­ers over ebook pric­ing http://t.co/BgFpy7LO
@NiemanLab
Nie­man Lab

 

The dance being cel­e­brated in Mon­te­v­ideo in our lead Ether image above is a tango, “La cumpar­sita.” You’d know it if you heard it. The 95th anniver­sary of this work by Ger­ardo Matos Rodriguez — orig­i­nally a car­ni­val march — arrived on April 19. Our photo was taken at an event held on the site of the song’s orig­i­nal per­for­mance, at a cafe, La Giralda.

The tango’s open­ing lyric, by Pas­cual Con­tursi, seems to speak to how things felt this week in our unhealthy indus­try. In one translation:

The masked parade
of end­less mis­eries
prom­e­nades
around that sick being…

Click to read this week’s full Writ­ing on the Ether col­umn at JaneFriedman.com.

As 17 more states join e-book class action, prev. redacted details revealed–including Steve Jobs e-mail & B&N deets http://t.co/6ZzMAdRJ
@laurahazardowen
Laura Haz­ard Owen

 

About Porter Ander­son

Porter Ander­son, BA, MA, MFA, is a Fel­low with the National Crit­ics Insti­tute and has done spe­cial read­ings in the psy­chol­ogy of the arts at the Uni­ver­sity of Bath, UK. As a jour­nal­ist, he has worked with three net­works of CNN (CNN USA, CNN Inter­na­tional, CNN.com) and was on the lead devel­op­ment team for CNN.com Live. He also has worked on The Vil­lage Voice, Dal­las Times Her­ald, D Mag­a­zine, Sara­sota Herald-Tribune and other out­lets. He writes the weekly (Thurs­days) WRITING ON THE ETHER col­umn at JaneFriedman.com and (Mon­days) ETHER FOR AUTHORS col­umn at PublishingPerspectives.com. Ander­son also is a reg­u­lar con­trib­u­tor to WriterUnboxed.com and to Dig­i­tal Book World’s (DigiBookWorld.com) Expert Pub­lish­ing Blog. He has been posted by the United Nations to Rome (P-5, laissez-passer) for the World Food Pro­gramme, and served as Exec­u­tive Pro­ducer to INDEX: Design to Improve Life in Copen­hagen. He is based in Tampa and his pri­mary medium is Twit­ter. Fol­low him @Porter_Anderson

Writing on the Ether | JaneFriedman.com

author, authors, book, critic, criticism, critique, e-book, e-reader, ebook, publishing, publisher, writer, writing, Jane Friedman, VQR, Virginia Quarterly Review, University of Cincinnati, University of Virginia, UVA, Charlottesville, Porter Anderson, Writing on the Ether, Amazon, Barnes and Noble, Microsoft, Google, Laura Hazard Owen, paidContent, reading, Joe Wikert, Tim O'Reilly, Mike Cane, Don Linn, Jenn Webb, Kat Meyer, pundits, Department of Justice, DoJ, legacy publishers, Apple, lawsuit, Bookigee, WriterCube, Kristen McLean, Mike Shatzkin, Mathew Ingram, Jason Allen Ashlock, Rachelle Gardner, auction, L.L. Barkat, Rumors of Water, George Davis, Kevin Franco, FrancoMedia, Enthrill Books, PackaDRM, social DRM, watermark, Pottermore, J.K. Rowling, Harry Potter

By Porter Ander­son | @Porter_Anderson

From May 10, 2012

Part of my series of columns on pub­lish­ing, Writ­ing on the Ether, appear­ing Thurs­days at the invi­ta­tion of Jane Fried­man at JaneFriedman.com


Rumors of Water by LL BarkatRumors of Water:
Thoughts on Cre­ativ­ity & Writing

Named a Best Book of 2011: Engle­wood Review of Books and Hearts & Minds Books

I read it in three sit­tings. Then I read it again. It’s a beau­ti­ful book, eas­ily my favorite book on writ­ing since Bird by Bird.”

—author Kim­ber­lee Con­way Ireton

Find out more on Ama­zon and down­load a sam­ple to your Kindle.


Ether Exclu­sive: New Pack­aDRM in the room

We want it to be friendly. It’s all about remind­ing the cus­tomer. We don’t believe that read­ers are pirates.

Hang on. Or as Tarzan would say to a heav­ing ele­phant, “Umgawa!” Won­der if say­ing that to our fine pub­lish­ing obsesserati could slow them down, too.

Putting our mes­sag­ing in there where it’s vis­i­ble reminds them, “You’ve made a bind­ing con­tract with the pub­lisher, with the author.” It’s in the fore­front of the reader expe­ri­ence. It makes them aware, so they won’t share the file.

author, authors, book, critic, criticism, critique, e-book, e-reader, ebook, publishing, publisher, writer, writing, Jane Friedman, VQR, Virginia Quarterly Review, University of Cincinnati, University of Virginia, UVA, Charlottesville, Porter Anderson, Writing on the Ether, Amazon, Barnes and Noble, Microsoft, Google, Laura Hazard Owen, paidContent, reading, Joe Wikert, Tim O'Reilly, Mike Cane, Don Linn, Jenn Webb, Kat Meyer, pundits, Department of Justice, DoJ, legacy publishers, Apple, lawsuit, Bookigee, WriterCube, Kristen McLean, Mike Shatzkin, Mathew Ingram, Jason Allen Ashlock, Rachelle Gardner, auction, L.L. Barkat, Rumors of Water, George Davis, Kevin Franco, FrancoMedia, Enthrill Books, PackaDRM, social DRM, watermark, Pottermore, J.K. Rowling, Harry PotterKevin Franco of Calgary’s Enthrill Books has come to the Ether, wise man that he is, to announce to you that Pack­aDRM is going to be made avail­able to pub­lish­ers and to authors who might be inter­ested in using it.

And we’re pack­ag­ing “DRM,” but not Dig­i­tal Rights Man­age­ment. This is Dig­i­tal Rights Mes­sag­ing.

author, authors, book, critic, criticism, critique, e-book, e-reader, ebook, publishing, publisher, writer, writing, Jane Friedman, VQR, Virginia Quarterly Review, University of Cincinnati, University of Virginia, UVA, Charlottesville, Porter Anderson, Writing on the Ether, Amazon, Barnes and Noble, Microsoft, Google, Laura Hazard Owen, paidContent, reading, Joe Wikert, Tim O'Reilly, Mike Cane, Don Linn, Jenn Webb, Kat Meyer, pundits, Department of Justice, DoJ, legacy publishers, Apple, lawsuit, Bookigee, WriterCube, Kristen McLean, Mike Shatzkin, Mathew Ingram, Jason Allen Ashlock, Rachelle Gardner, auction, L.L. Barkat, Rumors of Water, George Davis, Kevin Franco, FrancoMedia, Enthrill Books, PackaDRM, social DRM, watermark, Pottermore, J.K. Rowling, Harry Potter

Kevin Franco of Enthrill Books and PackaDRM

Pack­aDRM is being devel­oped as part of Enthrill Books, which we wrote about it on the Ether at the end of the year.

Fresh off “Day Against DRM” with Joe Wik­ert and Tim O’Reilly of O’Reilly Media lead­ing the non-DRM charge, plenty of our col­leagues are still dri­ving around with “Death to DRM!” plac­ards in their car trunks.

So let Franco get this much across to you, empha­sis mine:

We’re not try­ing to con­vert peo­ple who are work­ing in strict DRM. And we’re not try­ing to con­vert peo­ple from no-DRM.

author, authors, book, critic, criticism, critique, e-book, e-reader, ebook, publishing, publisher, writer, writing, Jane Friedman, VQR, Virginia Quarterly Review, University of Cincinnati, University of Virginia, UVA, Charlottesville, Porter Anderson, Writing on the Ether, Amazon, Barnes and Noble, Microsoft, Google, Laura Hazard Owen, paidContent, reading, Joe Wikert, Tim O'Reilly, Mike Cane, Don Linn, Jenn Webb, Kat Meyer, pundits, Department of Justice, DoJ, legacy publishers, Apple, lawsuit, Bookigee, WriterCube, Kristen McLean, Mike Shatzkin, Mathew Ingram, Jason Allen Ashlock, Rachelle Gardner, auction, L.L. Barkat, Rumors of Water, George Davis, Kevin Franco, FrancoMedia, Enthrill Books, PackaDRM, social DRM, watermark, Pottermore, J.K. Rowling, Harry PotterSee, no push­ing or shov­ing is nec­es­sary. Turn off your bull­horns. What­ever posi­tion you may occupy regard­ing DRM, carry on. Here’s what he wants to say:

What’s impor­tant is that if you’re going to select “social DRM” or water­mark­ing, we’ve come up with the best solu­tion. In water­mark­ing, we think we have a game-changer, the most effec­tive way to use “social DRM.”

To under­stand what Franco’s doing, think Pot­ter­more. (More­Pot­ter­More is com­ing up later in the Ether, too, for you Har­ried ones.)

A part of what’s made Pot­ter­more such a pants-wetting story in pub­lish­ing is that Jo Rowling’s ebooks are non-DRM. They are water­marked. So what does this mean? This means you can get a non-DRM copy of a Pot­ter book (eight copies for one price, in fact, in P’more’s case) and read each copy of that Har­ry­ness on any device you’d like. It’s not locked to a Kin­dle or a Nook or Kobo or your Android refrig­er­a­tor door screen. How­ever, the “water­mark” encodes infor­ma­tion about you as the buyer into the book. So if the copy water­marked to you turns up on a pirate Web site, Hog­warts knows it’s your ver­sion that is in ille­gal hands. You might want a Cloak of Invis­i­bil­ity then.

And this is gen­er­ally called “social DRM.”

be hon­est: you were expect­ing some­thing more from the super moon.
@booksquare
Kas­sia Krozser

 

Here’s a lit­tle help from Jelly­books’ Andrew Rhomberg on the terms here. I have his per­mis­sion to quote him from his recent com­ments about DRM on a bois­ter­ous pri­vate email list:

Adobe ebook DRM and sim­i­lar schemes are a form of Restric­tive Access Tech­nol­ogy (RAT) in that they restrict end-users from how they can use the ebook they “bought” (tech­ni­cally speak­ing, licensed).

True DRM restricts how you can use your ebook — by whom and on which device.

Rhomberg goes on, by contrast:

Watermarking…does not restrict access in any way, which is a huge advan­tage to the reader (a.k.a. buyer/consumer/end-user). Dig­i­tal fin­ger­print­ing (water­mark­ing) is a tech­nol­ogy for mak­ing usage track­able and hence TRAC is maybe a more descrip­tive acronym than “social DRM.”

So what Franco is talk­ing about, in Rhombergese, is TRAC. You are not restricted on how you use your ebook. Your copy, how­ever, can be tracked.

author, authors, book, critic, criticism, critique, e-book, e-reader, ebook, publishing, publisher, writer, writing, Jane Friedman, VQR, Virginia Quarterly Review, University of Cincinnati, University of Virginia, UVA, Charlottesville, Porter Anderson, Writing on the Ether, Amazon, Barnes and Noble, Microsoft, Google, Laura Hazard Owen, paidContent, reading, Joe Wikert, Tim O'Reilly, Mike Cane, Don Linn, Jenn Webb, Kat Meyer, pundits, Department of Justice, DoJ, legacy publishers, Apple, lawsuit, Bookigee, WriterCube, Kristen McLean, Mike Shatzkin, Mathew Ingram, Jason Allen Ashlock, Rachelle Gardner, auction, L.L. Barkat, Rumors of Water, George Davis, Kevin Franco, FrancoMedia, Enthrill Books, PackaDRM, social DRM, watermark, Pottermore, J.K. Rowling, Harry Potter

Pack­aDRM places a greet­ing and expla­na­tion for the reader at the start of each book. Click for a read­able size.

If Franco had a chance to breathe Ether with Char­lie Red­mayne, CEO of all Pot­ter­more, how might he explain the dif­fer­ence in most water­mark­ing (“TRAC”) “social DRM” pro­grams and his PackaDRM?

Well, in addi­tion to the trasac­tion ID inserted into the ebook — the one that makes your ebook TRAC-able to you if it gets into pirately hands — Pack­aDRM dis­plays very vis­i­ble mes­sages to the reader at the begin­ning and end of the book. Franco:

The mes­sage can be cus­tomized by the pub­lisher and con­tain infor­ma­tion from the ebook file in com­bi­na­tion with the consumer’s information.

author, authors, book, critic, criticism, critique, e-book, e-reader, ebook, publishing, publisher, writer, writing, Jane Friedman, VQR, Virginia Quarterly Review, University of Cincinnati, University of Virginia, UVA, Charlottesville, Porter Anderson, Writing on the Ether, Amazon, Barnes and Noble, Microsoft, Google, Laura Hazard Owen, paidContent, reading, Joe Wikert, Tim O'Reilly, Mike Cane, Don Linn, Jenn Webb, Kat Meyer, pundits, Department of Justice, DoJ, legacy publishers, Apple, lawsuit, Bookigee, WriterCube, Kristen McLean, Mike Shatzkin, Mathew Ingram, Jason Allen Ashlock, Rachelle Gardner, auction, L.L. Barkat, Rumors of Water, George Davis, Kevin Franco, FrancoMedia, Enthrill Books, PackaDRM, social DRM, watermark, Pottermore, J.K. Rowling, Harry Potter

Pack­aDRM also places a reminder state­ment to the reader at the end of an ebook. Click for a read­able size.

Front and back of the book. A spe­cial mes­sage, com­plete with the customer’s email address. Here’s an exam­ple of the text:

This book is yours to read and it’s reg­is­tered to you alone — see how we’ve embed­ded your email address to it? This mes­sage serves as a reminder that trans­fer­ring dig­i­tal files such as this book to third par­ties is pro­hib­ited by inter­na­tional copy­right law. … If you think some­one you know would love it (the book in ques­tion), rec­om­mend it to him or her and let them know where they can pick up their very own. When they are done, you can meet up for a cof­fee or tea and discuss!

Per­mis­sion granted: you may discuss.

author, authors, book, critic, criticism, critique, e-book, e-reader, ebook, publishing, publisher, writer, writing, Jane Friedman, VQR, Virginia Quarterly Review, University of Cincinnati, University of Virginia, UVA, Charlottesville, Porter Anderson, Writing on the Ether, Amazon, Barnes and Noble, Microsoft, Google, Laura Hazard Owen, paidContent, reading, Joe Wikert, Tim O'Reilly, Mike Cane, Don Linn, Jenn Webb, Kat Meyer, pundits, Department of Justice, DoJ, legacy publishers, Apple, lawsuit, Bookigee, WriterCube, Kristen McLean, Mike Shatzkin, Mathew Ingram, Jason Allen Ashlock, Rachelle Gardner, auction, L.L. Barkat, Rumors of Water, George Davis, Kevin Franco, FrancoMedia, Enthrill Books, PackaDRM, social DRM, watermark, Pottermore, J.K. Rowling, Harry Potter

Image: Samir (the scope) / CC

As I told Franco, this is very Cana­dian stuff. (One of his own board mem­bers said the same thing, it turns out, so I don’t feel too crassly Amer­i­can for mak­ing the obser­va­tion.) It turns out that Cana­dian cor­dial­ity comes in with an expressly respect­ful tone — exactly what Franco is after here.

That word­ing took a long time to set­tle on. We had to get the mes­sage across in a firm way, but at the same time, we have to respect the rela­tion­ship between the reader, the pub­lisher, the author. Respect for the reader — the cus­tomer — is ter­ri­bly important.

Brian O’Leary, ear­lier this week, wrote in The Sky Is Ris­ing, about the Macmillan/Tor deci­sion to stop using DRM.

If I sound cau­tiously opti­mistic, it reflects a sense that the tide has not turned when it comes to the use of DRM or the study of the true impact of piracy. As I’ve cov­ered before, DRM locks pub­lish­ers and read­ers into spe­cific plat­forms. It does not sup­press piracy. Link­ing the two, as many com­men­tors did when Macmil­lan made the announce­ment, con­flates two dif­fer­ent activities.

And oth­ers have spo­ken out this week in var­i­ous con­ver­sa­tions, with a clar­i­fi­ca­tion that the DRM issue really doesn’t dove­tail well with those who’d like to back the car over Jeff Bezos. As one astute observer puts it: “There are many rea­sons not to use DRM, but it seems that the dream of drop­ping DRM and tak­ing down Ama­zon is highly improbable.”

So why “PackaDRM?”

author, authors, book, critic, criticism, critique, e-book, e-reader, ebook, publishing, publisher, writer, writing, Jane Friedman, VQR, Virginia Quarterly Review, University of Cincinnati, University of Virginia, UVA, Charlottesville, Porter Anderson, Writing on the Ether, Amazon, Barnes and Noble, Microsoft, Google, Laura Hazard Owen, paidContent, reading, Joe Wikert, Tim O'Reilly, Mike Cane, Don Linn, Jenn Webb, Kat Meyer, pundits, Department of Justice, DoJ, legacy publishers, Apple, lawsuit, Bookigee, WriterCube, Kristen McLean, Mike Shatzkin, Mathew Ingram, Jason Allen Ashlock, Rachelle Gardner, auction, L.L. Barkat, Rumors of Water, George Davis, Kevin Franco, FrancoMedia, Enthrill Books, PackaDRM, social DRM, watermark, Pottermore, J.K. Rowling, Harry Potter

Mat­teo Berluc­chi / Photo: Anobii

Franco was with many of us at New York’s Dig­i­tal Book World Con­fer­ence in Jan­u­ary, when Mike Shatzkin staged Anobii’s Mat­teo Berluc­chi in a major denun­ci­a­tion of DRM. As I wrote then on the Ether: “DRM went from gum on a shoe to a rebel yell once Mat­teo Berluc­chi was given the floor.”

And Franco tells me he remem­bers exactly how Berluc­chi started his pre­sen­ta­tion to the conference:

Berluc­chi said, “Let’s talk about the ele­phant in the room.”

For more info on the Pack­aDRM in this room, be in touch with Franco. His col­umn, just out with the Ether, on the sub­ject is Pack­aged Dig­i­tal Rights Mes­sag­ing.

Click to read this week’s full Writ­ing on the Ether col­umn at JaneFriedman.com.

We sold 22,000 ebooks in our #DayA­gain­st­DRM cel­e­bra­tion. Not bad, con­sid­er­ing how other pub­lish­ers think they need DRM to make peo­ple pay
@timoreilly
Tim O’Reilly

About Porter Ander­son

Porter Ander­son, BA, MA, MFA, is a Fel­low with the National Crit­ics Insti­tute and has done spe­cial read­ings in the psy­chol­ogy of the arts at the Uni­ver­sity of Bath, UK. As a jour­nal­ist, he has worked with three net­works of CNN (CNN USA, CNN Inter­na­tional, CNN.com) and was on the lead devel­op­ment team for CNN.com Live. He also has worked on The Vil­lage Voice, Dal­las Times Her­ald, D Mag­a­zine, Sara­sota Herald-Tribune and other out­lets. He writes the weekly (Thurs­days) WRITING ON THE ETHER col­umn at JaneFriedman.com and (Mon­days) ETHER FOR AUTHORS col­umn at PublishingPerspectives.com. Ander­son also is a reg­u­lar con­trib­u­tor to WriterUnboxed.com and to Dig­i­tal Book World’s (DigiBookWorld.com) Expert Pub­lish­ing Blog. He has been posted by the United Nations to Rome (P-5, laissez-passer) for the World Food Pro­gramme, and served as Exec­u­tive Pro­ducer to INDEX: Design to Improve Life in Copen­hagen. He is based in Tampa and his pri­mary medium is Twit­ter. Fol­low him @Porter_Anderson

Writing on the Ether | JaneFriedman.com

author, authors, book, critic, criticism, critique, e-book, e-reader, ebook, publishing, publisher, writer, writing, Jane Friedman, VQR, Virginia Quarterly Review, University of Cincinnati, University of Virginia, UVA, Charlottesville, Porter Anderson, Writing on the Ether, Amazon, Barnes and Noble, Microsoft, Google, Laura Hazard Owen, paidContent, reading, Joe Wikert, Mike Cane, Don Linn, Jenn Webb, Kat Meyer, pundits, Department of Justice, DoJ, legacy publishers, Apple, lawsuit, Bookigee, WriterCube, Kristen McLean, Mike Shatzkin, Mathew Ingram, Sotheby's, The Scream, Edvard Munch, Fran Toolan, Jason Allen Ashlock, Rachelle Gardner, auction, L.L. Barkat, Rumors of Water

By Porter Ander­son | @Porter_Anderson

From May 3, 2012

Part of my series of columns on pub­lish­ing, Writ­ing on the Ether, appear­ing Thurs­days at the invi­ta­tion of Jane Fried­man at JaneFriedman.com

 

Note from Jane: For the first time ever, you will notice a spon­sor this month for Writ­ing on the Ether by Porter Ander­son. Our ini­tial spon­sor is L.L. Barkat, author of Rumors of Water, as well as the man­ag­ing edi­tor behind Tweet­s­peak Poetry. I am grate­ful to Laura for offer­ing her sup­port of this weekly fea­ture, which takes con­sid­er­able time and effort to deliver. Thank you!


Rumors of Water by LL BarkatRumors of Water:
Thoughts on Cre­ativ­ity & Writing

Named a Best Book of 2011: Engle­wood Review of Books and Hearts & Minds Books

I read it in three sit­tings. Then I read it again. It’s a beau­ti­ful book, eas­ily my favorite book on writ­ing since Bird by Bird.”

—author Kim­ber­lee Con­way Ireton

Find out more on Ama­zon and down­load a sam­ple to your Kindle.


Worth more than a thou­sand words

Microsoft Mon­day had them all bet­ting on Barnes & Noble’s chances.

Screamin’ Mike Cane raised everyone’s blood pres­sure with an imme­di­ate pooh-pooh, lack­ing only the caps-lock of his tweets, in Microsoft Reduces Nook To An App For $300M:

Barnes & Noble doesn’t real­ize it yet, but Microsoft just stole their col­lege text­book busi­ness and wiped out the Nook tablets.

Ver­ti­cal that it is, every­thing was look­ing up at Dig­i­tal Book World, Jeremy Green­field man­ning the pom­poms in Pos­si­bil­i­ties Abound in Microsoft, Barnes & Noble Deal:

Imag­ine a Windows-powered Nook tablet that breaks the iOS and Android stran­gle­hold on the mobile device market.

Thad McIl­roy, came up with an “inspir­ing haiku-styled poem,” based on part of the Microsoft-B&N press release:

With rapid growth
To solid­ify our posi­tion
A leader in an explod­ing mar­ket
Our excit­ing col­lab­o­ra­tion
Our world-class tech­nolo­gies
and content

It is the begin­ning of a jour­ney
For our com­ple­men­tary assets
We’re at the cusp of a revolution

But McIlroy’s piece was head­lined Barnes & Noble Mar­ries Microsoft, and described the “strate­gic part­ner­ship” this way:

Two losers stum­bling to the altar with­out brides­maids or witnesses…Worse still it’s a mar­riage of the Hat­fields and the McCoys. They were feud­ing some­thing nasty, and if they hadn’t exchanged vows they were about to exchange bullets.

Another view of the record-breaking #Scream at our post sale press con­fer­ence tonight. http://t.co/LK7g4XyH
@Sothebys
Sotheby’s

 

Mary Jo Foley at CNET was in and out of her Could Microsoft-B&N deal fore­tell Win­dows 8-powered Nook? as answers to ques­tions turned up. (Part of report­ing in the dig­i­tal age is that you have to pub­lish before either shoe drops. I’m impressed with how clearly Foley updates her mate­r­ial in the body of the story.)

Was today’s cre­ation of NewCo pred­i­cated on B&N set­tling with Microsoft? Does B&N still have to pay Microsoft roy­al­ties on every Nook sold as part of the set­tle­ment? (Update: The answer to that one is yes, accord­ing to a Microsoft spokesper­son.) No word on any of these ques­tions so far…

Clear, con­cise. Way to keep up.

Art prices. They’re a scream. RT @: The Scream that shat­tered an art world record http://t.co/tnKb5Let #the­scream

 

At Pub­lish­ers Lunch, Sarah Wein­man ably made the ini­tial announce­ment, of course, in BN Puts Nook and Col­lege Busi­ness Into New Sub­sidiary, With Microsoft Invest­ing $300 Mil­lion, quot­ing Microsoft’s pres­i­dent, Andy Lees, saying:

We’re going to have a larger role to play than just being the plat­form provider; that’s what this part­ner­ship allows us to do.

Weinman’s col­league Michael Cader then went to work in the fol­lowup, Is the Barnes & Noble Spin­off Really A Leave Behind?

Many in the pub­lish­ing world greeted yesterday’s news with excite­ment that the Nook busi­ness is assured of sub­stan­tial fund­ing in order to both com­pete and grow, and is aligned with the inter­ests of a cash rich tech­nol­ogy com­pany. Rather than a spin-off of Nook and asso­ci­ated busi­nesses, how­ever, peo­ple may come to the rea­soned con­clu­sion that Barnes & Noble is really prepar­ing to leave behind the retail stores, quar­an­tined in a unit of their own.

The 120 mil­lion dol­lar emoti­con: 😱 #the­scream
@Ryyyan_
Ryan Giroux

Laura Haz­ard Owen duti­fully quoted B&N’s CEO happy-talking in her timely Microsoft invests $300m in Barnes & Noble’s Nook; more e-books for Win­dows. The quotes here are William Lynch’s:

Part of that expan­sion is a Nook app for Win­dows 8, “which will extend the reach of Barnes & Noble’s dig­i­tal book­store by pro­vid­ing one of the world’s largest dig­i­tal cat­a­logues of e-books, mag­a­zines and news­pa­pers to hun­dreds of mil­lions of Win­dows cus­tomers in the U.S. and internationally.”

Being in the sale­room when a big pic­ture sells is amaz­ing #the­scream ($107m)-memories of days @ when Van Gogh & Picasso went crazy
@VintageExpert
Kather­ine Higgins

 

Look hard at the CNN­Money inter­view JP Man­galin­dan did with Lynch — Barnes & Noble CEO: NFC com­ing to the Nook — and you’ll find Lynch appar­ently includ­ing self-publishing authors in his “hun­dreds of thou­sands of publishers.”

Really the most valu­able part is a vast dig­i­tal con­tent repos­i­tory that we’ve built with our rela­tion­ships with now hun­dreds of thou­sands of publishers…

author, authors, book, critic, criticism, critique, e-book, e-reader, ebook, publishing, publisher, writer, writing, Jane Friedman, VQR, Virginia Quarterly Review, University of Cincinnati, University of Virginia, UVA, Charlottesville, Porter Anderson, Writing on the Ether, Amazon, Barnes and Noble, Microsoft, Google, Laura Hazard Owen, paidContent, reading, Joe Wikert, Mike Cane, Don Linn, Jenn Webb, Kat Meyer, pundits, Department of Justice, DoJ, legacy publishers, Apple, lawsuit, Bookigee, WriterCube, Kristen McLean, Mike Shatzkin, Mathew Ingram, Sotheby's, The Scream, Edvard Munch, Fran Toolan, Jason Allen Ashlock, Rachelle Gardner, auction, L.L. Barkat, Rumors of WaterWhile Laura Daw­son in B&N and Microsoft joined the shove-off cho­rus –“I do believe the @Nook arm will be spun off sep­a­rately from the B&N moth­er­ship” — she had good com­pany in Jay Yarow at Busi­nessIn­sider in Microsoft Is Invest­ing $300 Mil­lion In Barnes & Noble! who con­curred, and added: “Amus­ingly, Barnes & Noble’s entire mar­ket cap was $792 mil­lion at the time of the investment.”

#the­scream Art “means noth­ing if it sim­ply dec­o­rates the din­ner table of the power which holds it hostage.”
@d_w_wright
Daniel W Wright

 

Kevin C. Tofel at GigaOM joined Philp Jones at The­Fu­ture­Book in recall­ing ear­lier efforts in ebooks by Microsoft.

Jones, in Microsoft look­ing to be third time lucky in its bid for ebooks, wrote:

Twelve years ago I attended the first ever Frank­furt E-book Awards, a lav­ish evening held at the Frank­furt Opera House…At the time Microsoft was tout­ing its Microsoft® Reader with ClearType™ dis­play tech­nol­ogy that allowed dig­i­tal books to be read on home com­put­ers (this was pre-smart phones and pre-tablets).

The drama! RT @: Seven bid­ders bat­tled for more than twelve min­utes for Munch’s #The­Scream
@hannahtpsky
Han­nah Thomas-Peter

 

Joe Wik­ert at O’Reilly Media, in B&N and Microsoft: Why It’s Not About Ebooks, spec­u­lated on how B&N’s brick-and-mortar stores could come into play:

What if B&N stores added mini Microsoft Stores in each of their loca­tions? The foot traf­fic is already there and what a great place to show­case and sell that new Win­dows 8-based nook they’ll undoubt­edly create…Xbox is one of the bright­est stars in the Microsoft prod­uct portfolio…Given the ongo­ing decline of print book sales it might make a lot of sense for B&N to reduce their super­store title count inven­tory and make even more room for that Microsoft sec­tion I described above.

It’s inter­est­ing that Wik­ert was one of the few who men­tioned Ama­zon at any length in the con­text of the Microsoft-B&N news. And even as he was talk­ing about ter­res­trial stores — and the fact, of course, that Ama­zon doesn’t have any nor want any — CNBC was run­ning a quick-vote viewer poll, ask­ing, “If Barnes and Noble goes extinct, what would you do with all that real estate?”

Sotheby’s pretty much cleared out after #the­scream. $BID should get a nice pop in the morning.
@coombscnbc
Bertha Coombs

 

A good bit of real estate away from CNBC’s stu­dios, Eoin Pur­cell in Dublin was tak­ing the broader look, On THE Plat­form And What That Means.

Purcell’s not talk­ing author plat­form­ing here, by the way, but dig­i­tal plat­forms. I like the quick-view line-up of plat­form assets he puts together here to open his piece:

When you look at this ebook game from a dis­tance it seems to make a lit­tle sense:

1) Microsoft & NewCo. [for the moment, the name of the entity formed with B&N] = Con­tent, Device, Apps + pos­si­ble future Mobile play via Nokia & Win­dows 8

2) Apple = Con­tent+ Device, Apps + Mobile play

3) Ama­zon = Con­tent, Device, Apps + Whis­per­sync mak­ing Mobile already a sig­nif­i­cant play in my book but an actual part­ner­ship not yet to hand

4) Google = Con­tent (-ish), Apps + Mobile (with Motorola) and a Device neu­tral stance

Pur­cell then goes on to note that while each of the major play­ers has “some fash­ion of a flaw,” the entire exer­cise of adding up can­non vs. bat­ter­ing rams is largely pointless.

Just as Google is fail­ing to main­tain its grip on atten­tion and Face­book is grow­ing stronger every day, some­one will rise to take Facebook’s place and then another will rise to take theirs. This imper­ma­nence of pre­dom­i­nance is, for me, a defin­ing char­ac­ter­is­tic of the web, and it is dri­ven by the incred­i­bly low to non-existent bar­ri­ers to entry online because the WEB IS THE PLATFORM, which fos­ters com­pe­ti­tion, inno­va­tion and experimentation.

Can’t wait for my new pur­chase to be deliv­ered– shouldn’t be allowed to online shop a $120 mil­lion later and a new paint­ing #the­scream
@letitiataylor
Leti­tia Taylor

 

Now, take a breath. Fre­quently one of the com­ments I get from Eth­er­nauts is that they feel their heads are spin­ning after read­ing the weekly gas. Light-headed? Are you ready to believe my announce­ment that Apple and Amana are team­ing up to intro­duce Iced iPads, and just in time for summer?

Good. Then you’re ready to lis­ten to Fran Toolan. And so am I.

@ stan­dards are already break­ing down in the walled gar­dens of ebooks. you know that as well as anyone
@ftoolan
Fran Toolan

 

Pub­lish­ing: The here and now

In his sharply ground­ing piece, The Book Indus­try is Dead, Long Live the Book Cus­tomer, Toolan of Fire­brand Tech­nolo­gies starts with the gemut­lichkeit out there on Ninth Avenue:

Microsoft’s part­ner­ship with Barnes & Noble is prob­a­bly wel­come news in many pub­lish­ers’ board­rooms. After all, this rep­re­sents the hope that some­one can loosen Amazon’s grip on read­ing pub­lic and hence loosen the grip on those that sup­ply that con­tent. But does any­one really think that Microsoft is get­ting into the book game because they care about books?

Relent­less” comes to mind, as Toolan just scrubs the silly grin right off the moment.

If any­thing, Microsoft going into busi­ness with Barnes & Noble sig­nals some­thing more omi­nous in my opin­ion. It sig­nals Barnes & Nobles’ depar­ture from the book indus­try and for­mal entrance into the tech­nol­ogy industry.

There’s some courage here, as Toolan talks about years when “every­one was happy to live in a bub­ble called the book industry.”

We were free to cre­ate our own rules, set our own stan­dards, and be proud that our work was not only for profit, but was sort of a pub­lic ser­vice. There was always con­tention between the pub­lish­ers and the retail com­mu­nity, but it was gen­teel, as each side real­ized that they ulti­mately needed the other to survive.

In recount­ing what has hap­pened, Toolan observes the rise of the Inter­net, the multi-channeling of dig­i­tal dis­tri­b­u­tion, the Bor­ders collapse.

The result, aside from Barnes & Noble, (is that) the four or five largest cus­tomers of every pub­lisher have com­pletely turned over into dif­fer­ent enti­ties. Even the major whole­salers, Ingram and Baker & Tay­lor, who were used and abused by Ama­zon, are in deep peril as the num­ber of retail part­ners they have con­tinue to dimin­ish. The new behe­moths are all tech­nol­ogy com­pa­nies, Ama­zon, Apple, Google, and to a far lesser extent, Sony.

Which sets the stage for Toolan’s coup de grace:

With Barnes & Nobles’ depar­ture to the tech­nol­ogy indus­try, I think it’s fair to say that book indus­try that we all know and love is on its deathbed.

Could Microsoft influ­ence B&N to deeply dis­count nooks w/ 2-year con­tent pur­chase require­ment like Xbox plan? http://t.co/7peFYoXS #TOC­con
@jwikert
Joe Wik­ert

 

There is, how­ever, in Toolan’s purview, what might be called dif­fi­cult hope.

The good news is that cus­tomers for books and book-like prod­ucts are still out there, con­sum­ing as much as ever…What we need to rec­og­nize is that the rules have all changed, our stan­dards and trade orga­ni­za­tions are los­ing their rel­e­vance every day, and that really the new retail giants do have some objec­tives in align­ment with those of publishers.

I’d like to rec­om­mend this to our good col­league Mike Shatzkin, who’s ask­ing in a col­umn this week what’s needed in the DBW Con­fer­ence next year. This is an hon­est con­fer­ence scene-setter, if ever there was one. I’d like to see DBW con­sider mak­ing it the lead blurb for the con­fer­ence. Here you go:

To sur­vive and thrive, pub­lish­ers need to accept their demoted sta­tus in the bal­ance of power and move on… Pub­lish­ers need to work with the new retail giants in order to best under­stand how to build, mar­ket, and pro­mote their prod­ucts in a way that achieves the max­i­mum return for all involved.

I’m going to get us back to our big theme here — the indus­try! the indus­try! — in a bit. And we’ll be hear­ing more from Shatzkin. If you’d like to move right on to those parts of the Ether, just use the table of con­tents above to drop down to the sec­tions with “Pub­lish­ing” in their titles.

If you’re feel­ing lin­ear, come along as we head off in a few other inter­est­ing direc­tions before return­ing to Our Com­mon Crisis.

In unre­lated news, last night I tweeted this photo. Best photo I have ever taken of myself: http://t.co/uB1tMX8g
@Ginger_Clark
Gin­ger Clark

 

Click to read this week’s full Writ­ing on the Ether col­umn at JaneFriedman.com.

 

About Porter Ander­son

Porter Ander­son, BA, MA, MFA, is a Fel­low with the National Crit­ics Insti­tute and has done spe­cial read­ings in the psy­chol­ogy of the arts at the Uni­ver­sity of Bath, UK. As a jour­nal­ist, he has worked with three net­works of CNN (CNN USA, CNN Inter­na­tional, CNN.com) and was on the lead devel­op­ment team for CNN.com Live. He also has worked on The Vil­lage Voice, Dal­las Times Her­ald, D Mag­a­zine, Sara­sota Herald-Tribune and other out­lets. He writes the weekly (Thurs­days) WRITING ON THE ETHER col­umn at JaneFriedman.com and (Mon­days) ETHER FOR AUTHORS col­umn at PublishingPerspectives.com. Ander­son also is a reg­u­lar con­trib­u­tor to WriterUnboxed.com and to Dig­i­tal Book World’s (DigiBookWorld.com) Expert Pub­lish­ing Blog. He has been posted by the United Nations to Rome (P-5, laissez-passer) for the World Food Pro­gramme, and served as Exec­u­tive Pro­ducer to INDEX: Design to Improve Life in Copen­hagen. He is based in Tampa and his pri­mary medium is Twit­ter. Fol­low him @Porter_Anderson