Writing on the Ether | JaneFriedman.com

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By Porter Ander­son | @Porter_Anderson

 

From Feb­ru­ary 23, 2012
Part of my series of columns on pub­lish­ing, Writ­ing on the Ether, appear­ing Thurs­days through the kind (and brave) benev­o­lence of Jane Fried­man at JaneFriedman.com

Authors: Like lambs to it?

Is this indus­try ready to talk about its writ­ers yet? You’re invited to start chat­ting it up.

On Fri­day at 4p East­ern (1p Pacific, 2100 GMT), I’ll be joined by Dan Blank of We Grow Media in co-guest-hosting the weekly #Fol­lowReader Twit­ter chat, at the invi­ta­tion of Kat Meyer, co-chair with Joe Wik­ert of the O’Reilly Media Tools of Change Con­fer­ence (ToC) just held in New York last week.

Our theme will be the wide-open ques­tion “How are authors far­ing in the new world of publishing?”

 

This is not a gripe-‘n’-snipe fest, nor a Kum­baya camp­fire about the glory o’ story. No, this is busi­ness, exploratory busi­ness, and it’s open to any­body who has a stake in pub­lish­ing. I hope you’ll con­sider com­ing by and hash­tag­ging with us.

Here’s one thing I’m won­der­ing: Can real sense ever be made of the dig­i­tal dis­rup­tion of pub­lish­ing — moth­er­ship retail­ers hov­er­ing in cyber­space over flocks of wool­gath­er­ing inde­pen­dents in pas­tures below — if the core industry’s rela­tion­ship with writ­ers isn’t addressed?

Dur­ing dis­cus­sions of the new inci­dent between Ama­zon and the Inde­pen­dent Pub­lish­ers Group (more on that below), I’ve been reminded by our col­league, Andrew Rhomberg in Lon­don, of the phrase “cre­ative destruc­tion” from eco­nomic theory.

Wouldn’t it be smart to take advan­tage of the fact that the wheels have fallen off the pub­lish­ing wagon? New mod­els and vehi­cles are being tried and tested. Why not embrace this ques­tion of the industry’s depen­dence on a class of work­ers who don’t always feel rec­og­nized as peers by pub­lish­ing pro­fes­sion­als? — and some­times live down to that condition?

 

Rich Adin, in The Fail­ure of the Gate­keep­ers at An Amer­i­can Edi­tor, writes this week:

The…function…of nour­ish­ing new writ­ers, has been falling by the way­side in the last decade. Finan­cially, tra­di­tional pub­lish­ers are struggling…the com­pe­ti­tion has turned fierce. … Fewer block­busters are being pub­lished so there are fewer block­busters avail­able to gen­er­ate the kind of income needed to nour­ish non-blockbuster authors. And authors are increas­ingly going their own way because they get to keep more of the money and don’t need to worry about pub­lisher rejection.

As I wrote in last week’s Ether, I left ToC con­cerned that the best dis­cus­sions about the industry’s future are going on largely with­out the authors, the peo­ple who might form an unprece­dented robust and inno­v­a­tive part of the answer to publishing’s dilem­mas if they had the chance to engage in the conversation.

Writ­ing com­mu­nity spe­cial­ist and Uni­ver­sity of Cincin­nati pro­fes­sor Jane Fried­man, who hosts the Ether here at her site, posted her excel­lent warn­ing, Authors: Don’t Pay Money for BEA Book Pro­mo­tion, just as I’d been read­ing an arrest­ing series of com­ments on a blog post titled Who Con­trols Your Ama­zon eBook Price?

I’ve seen, first-hand, what Fried­man is warn­ing writ­ers about. I’ve had self-published authors approach me at BEA, ask­ing me to take a copy of their book to review – because even in the best spot in the out­back of BEA’s perime­ter, nobody “can ignore 10,000 other things hap­pen­ing at the same time,” as Fried­man puts it. Your book may as well lie under the brightly-colored car­pet of one of the Big Six pavilions.

#pub­lishinge­uphemisms “the novel never quite reached the huge poten­tial of its promise” = your pitch let­ter was bet­ter than the book
@jonnygeller
jonny geller

 

And in Jim C. Hinespiece on Ama­zon ebook pric­ing, you meet an author who writes fan­tasy, both in tra­di­tional and self-publishing cir­cum­stances — the “hybrid” pub­lish­ing approach.

What Hines describes is a rel­a­tively mun­dane but annoy­ing expe­ri­ence at Ama­zon. The price of a self-published ebook title sell­ing for $2.99 at other out­lets was reduced inex­plic­a­bly by Ama­zon for some time to 99 cents, although no rival site was under­selling it.

A cou­ple of points are involved here:

(1) Amazon’s con­tract appar­ently allows the com­pany — to quote Hines on the Kin­dle Direct Pub­lish­ing terms — “sole and com­plete dis­cre­tion to set the retail price at which your Dig­i­tal Books are sold through the Program.”

And (2) the famous 70-percent roy­alty an author is paid in this set­ting by Ama­zon seems to be fig­ured on the actual price of the sale (in this case, 99 cents) rather than the author’s list price ($2.99), despite the fact that the author didn’t know about the dis­count that doesn’t seem to have been in response to any com­pet­i­tive price pressures.

Hines explains that KDP responded promptly to him and restored the list price he had set, once he pointed out to them that there was no low-ball seller requir­ing the 99-cents sale price. How­ever, he writes:

Self-publishing puts you in charge of every aspect of your career. Mean­ing when Ama­zon messed with one of my books, it was on me to chal­lenge them and get it fixed. They did restore the price, as I said, but what exactly would I do if they said “Deal with it.” Sue them?

There was a prob­lem con­nect­ing to Twitter.

 

My pur­pose in bring­ing this to you is not to focus on Amazon’s terms and con­di­tions with self-publishers. I’m more inter­ested in what I see in read­ing through the 54 com­ments lodged in a cou­ple of days’ time on Hines’ post.

Here are authors, some angry and bewil­dered, some savvy and sar­donic, some rep­re­sented by agents, some not, some tra­di­tion­ally pub­lished, some not, but all of them engaged, either ques­tion­ing Hines fur­ther to fol­low his argu­ments, or offer­ing guid­ance, or wor­ry­ing aloud for their own pub­lish­ing sit­u­a­tions. Some phrases:

…they are the best game in town for sell­ing my back­list. Still, with terms such as these I start to twitch when some authors sing their praises with such enthu­si­as­tic fervor…

…I’d like to expand on your state­ment about any­one think­ing Ama­zon is in it for authors being a fool…

…They fixed the price. They have not fixed the roy­al­ties, and accord­ing to their terms of ser­vice, they don’t have to…

…I think we authors should advo­cate (and I have) that Ama­zon give us more con­trol over our pro­mo­tional pric­ing, so that this hap­pens less often. Kobo is infu­ri­at­ingly slow to change…

…While this sucks, I see the same thing in tra­di­tional pub­lish­ing con­tracts all the time.…

…Actu­ally, reg­u­lar con­tracts ARE bet­ter because the pub­lisher is con­strained from chang­ing the rules as it goes along…

…Do you have a pub­lish­ing con­tract that actu­ally spec­i­fies the price your book will be sold for? Because I’ve been around awhile and I’ve never seen such a thing…

…It’s a com­pet­i­tive envi­ron­ment, and if you believe oth­er­wise you have spent too much time on Joe Konrath’s blog. Ama­zon, how­ever, con­trols 70% of the ebook market…

…Jim do you know if other self-publishing plat­forms (Smash­words, Lulu, etc.) have had the same issues?

…I’m work­ing on my first novel and self pub­lish­ing was the route…

…I have pub­lished 15 books through tra­di­tional pub­lish­ers. Never once was I asked what price I wanted to set for my books…

It takes a lot of time to wade through the whole raft of com­ments. But taken as a whole, they offer a strik­ing, alarm­ing overview of how pro­found is the con­fu­sion among writ­ers, includ­ing authors pub­lished many times over, about (a) where they stand in the indus­try, (b) what the new “free­dom” of dig­i­tal pub­lish­ing really means for them, and © how the core indus­try is debat­ing the busi­ness’ future.

I seem to be on an Arthur Miller jag of late. At some point “atten­tion must finally be paid” to this Internet-swollen army of tal­ent. So come talk with us Fri­day after­noon. #FollowReader.

Don’t make me send the sheep­dogs out to round you up.

I’ve said it before: it appears Jan/Feb is when SHIT GOES DOWN, appar­ently, in publishing.
@Ginger_Clark
Gin­ger Clark

 

Click to read this week’s full Writ­ing on the Ether col­umn at JaneFriedman.com.

About Porter Ander­son

Porter Ander­son, BA, MA, MFA, is a Fel­low with the National Crit­ics Insti­tute and has done spe­cial read­ings in the psy­chol­ogy of the arts at the Uni­ver­sity of Bath, UK. As a jour­nal­ist, he has worked with three net­works of CNN (CNN USA, CNN Inter­na­tional, CNN.com) and was on the lead devel­op­ment team for CNN.com Live. He also has worked on The Vil­lage Voice, Dal­las Times Her­ald, D Mag­a­zine, Sara­sota Herald-Tribune and other out­lets. He writes the weekly (Thurs­days) WRITING ON THE ETHER col­umn at JaneFriedman.com. Ander­son also is a reg­u­lar con­trib­u­tor to WriterUnboxed.com and to Dig­i­tal Book World’s (DigiBookWorld.com) Expert Pub­lish­ing Blog. He has been posted by the United Nations to Rome (P-5, laissez-passer) for the World Food Pro­gramme, and served as Exec­u­tive Pro­ducer to INDEX: Design to Improve Life in Copen­hagen. He is based in Tampa and his pri­mary medium is Twit­ter. Fol­low him @Porter_Anderson

Writing on the Ether | JaneFriedman.com

Tools of Change, Tim O'Reilly, O'Reilly Media, publishing, books, conference, ebook, TOC, #toccon, Porter Anderson, Writing on the Ether, Jane Friedman, Joe Wikert, Kat Meyer, New York Public Library, New York City, DBW, Digital Book World, LeVar Burton, Baratunde Thurston, Ed Nawotka, Publishing Perspectives, Joe Karaganis, Tim Carmody, Eric Ries,

Tools of Change (ToC) Con­fer­ence 2012 atten­dees are wel­comed at a recep­tion at the New York Pub­lic Library.

By Porter Ander­son | @Porter_Anderson

 

From Feb­ru­ary 16, 2012
Part of my series of columns on pub­lish­ing, Writ­ing on the Ether, appear­ing Thurs­days through the kind (and brave) benev­o­lence of Jane Fried­man at JaneFriedman.com

ToC: Techno-calities

Locu­tion, locu­tion, locution.

In its sixth year, the Tools of Change Con­fer­ence — just closed in New York City — eas­ily held its own as one of publishing’s two great con­fabs of a stress­ful year, the other being last month’s Dig­i­tal Book World Con­fer­ence + Expo.

And when it comes to locu­tion, ye shall know them by how they say “data.”

January’s DBW (#dbw12) used “fol­low­ing data” to tell us where things lie (not lay, damn it) amid the sink­holes of today’s treach­er­ous, fast-digitizing landscape.

February’s ToC (#TOC­con) vowed to wield “Big Data” as a pho­ton tor­pedo, LeVar Bur­ton, in the bat­tle for publishing’s cul­tural viability.

Bur­ton gave a Treky’s keynote on Tues­day in which he revealed that spot­ting Nichelle Nichols on the orig­i­nal bridge of Gene Roddenberry’s USS Enter­prise helped him find his race and place in an enter­tain­ment indus­try that would later cast him in Alex Haley’s piv­otal “Roots” and now plat­forms his RRKidz mis­sion to get dig­i­tal read­ing to kidz (not kids, damn it).

Cock­tails at one of my favorite joints on the planet! http://t.co/Ryi2u3L3
@levarburton
LeVar Bur­ton

 

Speak­ing of race, another adher­ent of Lt. Uhura’s per­sua­sion, author and Onion­ist Baratunde Thurston, gave another keynote that day, plug­ging his book.

Tools of Change, Tim O'Reilly, O'Reilly Media, publishing, books, conference, ebook, TOC, #toccon, Porter Anderson, Writing on the Ether, LeVar Burton
Author Baratunde Thurston’s keynote at ToC 2012: all about his book, “How To Be Black.”

Here is his keynote on video. Here he is with Terry Gross on NPR’s Fresh Air, in Baratunde Thurston Explains “How To Be Black” And here is his book in an enhanced edi­tion, “enhanced” being a term we include less and less fre­quently in our pub­lish­ing patois.

More locu­tion: ToC and DBW are per­fectly aligned, like squirm­ing twin Cupids, in their use of the term “keynote.” It once referred to an often long, always sin­gu­lar, rabble-rallying speech by a major fig­ure of real heft. You remem­ber Mar­garet Atwood at last year’s ToC? Well, of course you do. And you can refresh your mem­ory when she does it again at AWP in early March.

I want to help. “@: I want to build a spaceship”
@pablod
Pablo Defen­dini

 

Today? Every girl can give a keynote. In fact, every girl and every boy tar­geted by arrows this Valentine’s Day seemed deter­mined to do just that. A “keynote” now lasts 15 min­utes, max. And it arrives in a candy box full of match­ing pre­sen­ta­tions, each of them crinkly-wrapped in the visu­als that we Con­tem­po­rary Peo­ple must behold in order to focus, damn it, focus. The givers of today’s “keynotes” are fre­quently low-energy folks whose first call­ing in life clearly is not ora­tion. They want to tell us that their soft­ware is bet­ter than your software.

They may be right. They may be wrong. They may be spon­sors. And one of them at ToC hid envelopes under the audience’s seats. Ten of those envelopes, we were told, would pro­vide the lucky der­ri­eres above them with iPad 2’s. (I made my col­league Jeremy Green­field check under our seats in the media room. Chew­ing gum. Not an Inkling of a win.)

Did I men­tion locu­tion? It’s all in how we say it, you see.

Imme­di­ate reac­tion to enter­ing the #TOCCON reg­is­tra­tion area — there are way more women atten­dees than most tech confs I’ve been to lately.
@danyork
Dan York

 

Let’s have one more.

“Scal­ing” could mean some­thing less friendly to some soon.

A Wednes­day ses­sion, Scal­ing Con­tent Devel­op­ment Through Automa­tion, gave us Kris­t­ian Ham­mond of Nar­ra­tive Sci­ence and Rob­bie Allen of Auto­mated Insights in their talks on those computer-generated sports and real-estate reports you may have heard about, ex machina.

These punchy accounts of youth hockey matches and other piv­otal events are gen­er­ated, Ham­mond told us, by “a sim­ple set of deriva­tions from the data.” Then “angles” are applied, he said. And he was at pains to tell us, “We’re not writ­ing sto­ries that just express the data…the sys­tem under­stands the trend.”

For the record: This report is writ­ten not by a machine but by a human being made pro­duc­tive by caf­feine rather than elec­tri­cal cur­rent. Parse me, bubba, I’ve got yer data right here.

But ’tis boot­less to exclaim.

By the time the last flotilla of petit-four-sized keynotes eased us all to sleep in our seats on Wednes­day after­noon — never let the ele­gant thinker Theo Gray onto a stage right after lunch to show you his Wol­fram Math­e­mat­ica CDFEd Nawotka man­aged to fire up his Pub­lish­ing Per­spec­tives account and tweet before pass­ing out:

#TOC­con The mes­sage of this afternoon’s keynotes is that the geeks will inherit the earth, or at least, the pub­lish­ing business.
@pubperspectives
Pub­Per­spec­tives

 

Click to read this week’s full Writ­ing on the Ether col­umn at JaneFriedman.com.

About Porter Ander­son

Porter Ander­son, BA, MA, MFA, is a Fel­low with the National Crit­ics Insti­tute and has done spe­cial read­ings in the psy­chol­ogy of the arts at the Uni­ver­sity of Bath, UK. As a jour­nal­ist, he has worked with three net­works of CNN (CNN USA, CNN Inter­na­tional, CNN.com) and was on the lead devel­op­ment team for CNN.com Live. He also has worked on The Vil­lage Voice, Dal­las Times Her­ald, D Mag­a­zine, Sara­sota Herald-Tribune and other out­lets. He writes the weekly (Thurs­days) WRITING ON THE ETHER col­umn at JaneFriedman.com. Ander­son also is a reg­u­lar con­trib­u­tor to WriterUnboxed.com and to Dig­i­tal Book World’s (DigiBookWorld.com) Expert Pub­lish­ing Blog. He has been posted by the United Nations to Rome (P-5, laissez-passer) for the World Food Pro­gramme, and served as Exec­u­tive Pro­ducer to INDEX: Design to Improve Life in Copen­hagen. He is based in Tampa and his pri­mary medium is Twit­ter. Fol­low him @Porter_Anderson

Writing on the Ether | JaneFriedman.com

Writing on the Ether, Porter Anderson, Jane Friedman, publishing, Tools of Change, T0C, #toccon, Digital Book World, #dbw

By Porter Ander­son | @Porter_Anderson

 

From Feb­ru­ary 9, 2012
Part of my series of columns on pub­lish­ing, Writ­ing on the Ether, appear­ing Thurs­days through the kind (and brave) benev­o­lence of Jane Fried­man at JaneFriedman.com

ToC’s techs to the res­cue! (Green­field, Albanese, Cur­tis, Owen, Shatzkin)

So if Dig­i­tal Book World helped pre­pare our souls for the com­ing tra­vail — as Jeremy Green­field’s ongo­ing DBW Insights show us on a daily basis — the bat­tle now is joined by rein­force­ments, in the form of the annual Tools of Change Con­fer­ence. In ToC we trust.

Selected keynotes and more from the the­ater of endeavor will be streamed live on video for you to see, from the safety of your favorite redoubt.

And there we were, hold­ing the DBW vigil with Bishop Shatzkin; chant­ing BookRe­pub­lic num­bers about ebook adop­tion with Brother Marco; beat­ing our breasts with Friar Mat­teo:

For­give us, we have DRM-ed every­thing in sight like music-industry peo­ple in way­ward sheep’s clothing!

We even had the Sis­ters of Roman­tica enter­tain the troops. But, of course, not enough con­fer­enc­ing yet: our beloved pub­lish­ing indus­try is still under siege from within and without.

Now  the 2012 season’s (and every season’s) best hopes — our tech­nol­o­gists — charge into Man­hat­tan. Weapons are arrayed in the Dig­i­tal Pet­ting Zoo curated by Nate Hof­felder and Joe Wik­ert. Ordained by O’Reilly him­self, the Tools of Change cru­sade con­venes at the Mar­riott, where the indus­try will wres­tle with its dig­i­tal demons. (Yes, even those Small Demons, Rev. Vak­ili.)

Look­ing at the pro­gram­ming for TOC next week. Some really good stuff. Gonna be hard to choose break­out ses­sions in some time slots. #toc­con
@DonLinn
Don Linn

 

One prayer for many, as a recep­tion is staged at the New York Pub­lic Library dur­ing the con­fer­ence: May Pen­guin (and the other Big Six, some day) fol­low Ran­dom­House in enabling full pub­lic book lend­ing. Andrew Albanese gave us the word this way, in Fair Trade: Ran­dom House Will Raise Library E-book Prices, But Com­mits to E-Book Lend­ing.

Rejoice, fel­low Eth­er­naut, let us go into the (next) tem­ple of pub­lish­ing con­fabs, this time to behold Sci­ence as she girds us in this baf­fling War of Dig­i­tal Aggres­sion. Quoth Richard Cur­tis, For the First Time In His­tory, Print Is Optional. Now What?

When we talk about the death of printed books we are really talk­ing about the death of printed books dis­trib­uted in book­stores.  With the death of a Bor­ders and the announced reduc­tion of Barnes & Noble’s  book­store floor space by 25%, print on demand, a busi­ness model that does not depend on store sales or the return­abil­ity of books the way tra­di­tional book­stores do, increas­ingly becomes an option. If pub­lish­ers elect POD for all their books they will not only con­tinue to make money from printed books but could poten­tially res­cue their iden­ti­ties, and maybe their souls as well.

What do you think?

Note to self: “turs­day” is not an actual day.
@Ginger_Clark
Gin­ger Clark

 

Here be the crossed book­marks of titans. And we must turn to Lovely Tech, for she is just about the last god­dess left:

The bot­tom line here is that as Amazon’s power to sign up books away from the major pub­lish­ers grows, the retail­ers who depend on pub­lish­ers for a flow of com­mer­cial prod­uct suf­fer along with the publishers…B&N’s deci­sion seems to me like the right move for them…On the other hand, authors and agents who might have con­sid­ered an Ama­zon pub­lish­ing deal will have to think twice if they know very few book­stores will carry it…There are a lot of smart peo­ple engaged in a pitched bat­tle here.

  • May our writ­ers learn whether and when to till the soil of their own back­yards as self-publishers — and whether and when to enter once more into the Halls of Tra­di­tional Pub­lish­ing. Not that the writ­ers will be at ToC. It’s another grand gath­er­ing, like DBW, designed for every­body in pub­lish­ing except the peo­ple who cre­ate the essen­tial ele­ment of the realm: the sto­ries. It’s under­stand­able but regret­table that the com­mu­nity of authors still can be so dis­tant, at times, dur­ing this rush to dig­i­tal. It affects them keenly.
  • May Knit­ting Laura Daw­son, the Madame Defarge of Fire­brand, guide us to know the dan­gers of the intern-novitiate when you mis-assign your meta­data to pizza-stained hands.
  • May we see — some­where between the River ePub and the Mobi-Dictum — Prior Wik­ert bring­ing us together in the mer­ci­ful sanc­tu­ary of a Uni­fied eBook Mar­ket. More on his call to action in a moment.
  • And may the calm, gra­cious, wel­com­ing friend­li­ness that pas­seth all under­stand­ing of Wikert’s co-chair, the saintly Kat Meyer, rub off on the rest of us.

Here is my and my fel­low sem­i­nar­ian Dan Blank’s lat­est sermon-with-video Pre­view: O’Reilly’s Tools of Change Conference.

Our saints go march­ing into con­fer­ence on Mon­day and raise the fray through Wednes­day. Observe the bat­tle from the safe hill­top of the Twit­ter hash­tag #TOC­con or in the chapel of my site: PorterAnderson.com. Some of our bravest strate­gists are at work here. And the stakes are high for us all.

Dear Twit­ter: can we all resolve to stop say­ing stu­pid shit we know noth­ing about or won’t get edu­cated about? I’ll do the same. Love, me.
@sarahw
Sarah Wein­man

 

Click to read this week’s full Writ­ing on the Ether col­umn at JaneFriedman.com.

About Porter Ander­son

Porter Ander­son, BA, MA, MFA, is a Fel­low with the National Crit­ics Insti­tute and has done spe­cial read­ings in the psy­chol­ogy of the arts at the Uni­ver­sity of Bath, UK. As a jour­nal­ist, he has worked with three net­works of CNN (CNN USA, CNN Inter­na­tional, CNN.com) and was on the lead devel­op­ment team for CNN.com Live. He also has worked on The Vil­lage Voice, Dal­las Times Her­ald, D Mag­a­zine, Sara­sota Herald-Tribune and other out­lets. He writes the weekly (Thurs­days) WRITING ON THE ETHER col­umn at JaneFriedman.com. Ander­son also is a reg­u­lar con­trib­u­tor to WriterUnboxed.com and to Dig­i­tal Book World’s (DigiBookWorld.com) Expert Pub­lish­ing Blog. He has been posted by the United Nations to Rome (P-5, laissez-passer) for the World Food Pro­gramme, and served as Exec­u­tive Pro­ducer to INDEX: Design to Improve Life in Copen­hagen. He is based in Tampa and his pri­mary medium is Twit­ter. Fol­low him @Porter_Anderson

Writing on the Ether | JaneFriedman.com

By Porter Ander­son | @Porter_Anderson

 

From Feb­ru­ary 2, 2012
Part of my series of columns on pub­lish­ing, Writ­ing on the Ether, appear­ing Thurs­days through the kind (and brave) benev­o­lence of Jane Fried­man at JaneFriedman.com

The fog of war (Grandinetti, Owen, Bosman)

Just ask Ger­aldo Rivera. No, don’t ask him. He might give away the strate­gic loca­tion of that spe­cial Ama­zon ship­ping facil­ity, the one ful­fill­ing an offer of a free Prime pitch­fork with every copy of Join the ePub­lish­ing Gold Rush.

I’m going to shoot up a flare to illu­mi­nate the past week’s events for you, the ones lead­ing up to that dec­la­ra­tion of all-out hos­til­ity we’re now wit­ness­ing. I love the smell of Ether in the morning.

Omi­nous, wasn’t it? — I’m sure you remem­ber the rum­ble of dis­tant artillery last week dur­ing the Dig­i­tal Book World War Coun­cil + Weaponry Expo. We heard it on 25 Jan­u­ary. About 9:15 a.m. in New York, 1415 Zulu.

Things shook a lit­tle. Amazon’s Russ Grandinetti had just told us what a great time it is for read­ers. Espe­cially if you’re the child of a Kin­dle Fire owner, per Jeremy Green­field’s report.

Those faint salvos? Late in the day before, our best scouts had come back into camp with the word that Houghton Mif­flin Har­court would pub­lish the print edi­tions of Amazon’s pub­lish­ing divi­sion run by Larry Kir­sh­baum.  Laura Haz­ard Owen hypoth­e­sized about it at paid­Con­tent in her arti­cle Well, Here’s How Ama­zon Pub­lish­ing Will Get Its Books Into Barnes & Noble. This New Har­vest imprint could be Amazon’s way to breach its “Barnes & Noble prob­lem: Barnes & Noble has said it will not carry any titles in its bricks-and-mortar stores that it can­not also sell as ebooks.”

Was a chal­lenge being issued? And would it be taken up?

As the NYT notices there’s com­pe­ti­tion between AMZN and B&N, the world won­ders “Where ya been?” http://t.co/JrSPuj5m
@DonLinn
Don Linn

 

On the 28th, three days after the brass and their staffers decamped DBW, the able Julie Bosman at the Times ran her story The Bookstore’s Last Stand, an inter­view with B&N’s CEO, William “Custer” Lynch Jr.  He was pic­tured before a pha­lanx of loyal Nooks and talk­ing tough, even as Bosman laid out the stark facts: B&N – at that point – was val­ued at some $719 mil­lion, Ama­zon at $88 bil­lion. ” Lynch was unperturbed.

Our stores are not going anywhere.

By article’s end, Bosman wasn’t rolling ban­dages yet, but some gauze was being stacked up in clean corners.

With­out Barnes & Noble, the pub­lish­ers’ mar­ket­ing propo­si­tion crum­bles. The idea that pub­lish­ers can spot, mold and pub­li­cize new tal­ent, then get some­one to buy books at prices that actu­ally make eco­nomic sense, sud­denly seems a reach…What pub­lish­ers count on from book­stores is the brows­ing effect. Sur­veys indi­cate that only a third of the peo­ple who step into a book­store and walk out with a book actu­ally arrived with the spe­cific desire to buy one.

So they go to browse, do they? As in a show­room, right? Hold that thought.

I’ve met peo­ple senior to me in pub­lish­ing who never remem­ber my name even though we’ve met 5+ times. I’ll never for­get that.
@Ginger_Clark
Gin­ger Clark

 

Pub­lish­ing: The gath­er­ing clouds (O’Leary, Linn)

So by the 30th, we all sat in those cof­fee shops attached to the brightly lit sell­ing places for books (they act like show­rooms, they quack like show­rooms), feed­ing on the heal­ing pro­bity of Brian O’Leary’s ministrations.

He wrote of abun­dance, in Why pyra­mids?

Most of us came to pub­lish­ing, to libraries, to book sell­ing, to writ­ing because we love what this busi­ness could do in the world.  Now’s the time to make that a sus­tain­able reality.

O’Leary was again putting for­ward his idea, backed months ago when we Eth­er­nauts were younger by Don Linn in A Tragedy of the Com­mons, a con­cept of a uber-organization, a con­clave embrac­ing publishing’s major mili­tia, its myr­iad fac­tions, the great armies, and maybe even your more coop­er­a­tive guerrillas.

O’Brien sees this body funded by a pub­lish­ing com­mu­nity worth $40 bil­lion for just $80 mil­lion —  to give us all what he terms “a fight­ing chance to remake our indus­try and our­selves in a way that reflects, to bor­row the phrase, our bet­ter angels.”

And … it should be mea­sured by out­comes that improve the extent to which con­tent is use­fully con­sumed.  The objec­tive here isn’t just effi­ciency (though that is impor­tant); it’s ulti­mately our goal to place read­ing at the cen­ter of a social and civic con­ver­sa­tion. Build­ing some­thing big­ger than our­selves can moti­vate in ways that a litany of con­fer­ences, trade shows, and con­fabs never will approach.

How could any right-thinking lover of lit say no to this? Before we could col­lect the answers to that one, the bunkers were heav­ily hard­ened, the reserves were called up, I think I heard Gen. Press­field men­tion mar­tial law…and Han­ni­bal in the Alps.

@ com­modi­ties went fully global in the early 1980s, for exam­ple. “Global” to book pub­lish­ers seems to mean “owned by Europeans”
@brianoleary
Brian O’Leary

 

Pub­lish­ing: To arms (Wein­man, Owen, Stone, Nazaryan)

Sarah Wein­man at Pub­lish­ers Lunch was the first voice I heard sound­ing the alarm, bricks and mor­tar shells, incom­ing. It was the 31st: No, Barnes & Noble Won’t Stock Ama­zon Pub­lish­ing Titles in Their Stores.

Laura Haz­ard Owen sprang to the wire­less and raised  Businessweek’s Brad Stone.  She worked Google+ up one cir­cle and down another, to decode the state­ment B&N was issu­ing. And in her story Barnes & Noble: We Will Not Carry Ama­zon Pub­lish­ing Titles In Our Stores, it became clear how seri­ous a moment we’d reached when we read Barnes & Noble’s bel­li­cose prose.

I’ll excerpt here for you the gravest invec­tive of B&N’s chief mer­chan­dis­ing offi­cer, Jaime Carey, empha­sis mine:

Our deci­sion is based on Amazon’s con­tin­ued push for exclu­siv­ity with pub­lish­ers, agents and the authors they rep­re­sent. These exclu­sives have pro­hib­ited us from offer­ing cer­tain eBooks to our cus­tomers. Their actions have under­mined the indus­try as a whole and have pre­vented mil­lions of cus­tomers from hav­ing access to con­tent.

There’s more.

It’s clear to us that Ama­zon has proven they would not be a good pub­lish­ing part­ner to Barnes & Noble as they con­tinue to pull con­tent off the mar­ket for their own self inter­est.

This is village-burning rhetoric, aimed as it is by one major cor­po­rate entity at another, much more com­bustible than stan­dard B2B trash talk.

Of course, there was the pre­dictable reverie in cer­tain quar­ters — the “Fight!” boys on the play­ground jumped right in.

For exam­ple, there’s the Daily News’ story from Alexan­der Nazaryan head­lined with typ­i­cal restraint, Barnes & Noble to Ama­zon: Drop Dead!

Like read­ing The Onion, no?

Nazaryan does get off one good point, despite the high rag con­tent of his newsprint:

Never mind that Barnes & Noble killed off plenty of smaller book­stores dur­ing the good years of the 90’s, when a healthy econ­omy and the real estate boom that fol­lowed allowed it to expand with seem­ing aban­don. Per­haps this is sim­ply a case of just desserts for the dimin­ished bookseller.

Video, slides and tran­script of my #ibt12 pub­lish­ing ana­lyt­ics and book mar­ket­ing talk http://t.co/DMFd25IP
@gunzalis
Peter Collingridge

 

Pub­lish­ing: Whose side is the Author’s Guild on? (Gonzalez)

More curi­ous is a piece from the Authors Guild. In Publishing’s Ecosys­tem on the Brink: The Back­story, the Guild finds itself aligned with Barry Lynn’s lament over monop­o­lies in Harper’s (here is an excerpt). Lynn quotes the unnamed “head of one of the largest pub­lish­ing houses in the U.S.” say­ing that Jeff Bezos is “reck­less” and “dan­ger­ous.” Another unnamed hon­cho, this time of a small pub­lish­ing house, pouts, “Ama­zon is a bully.” The Guild arti­cle, in fact, seems rather embar­rass­ingly monop­o­lized by Lynn’s story.

The Authors Guild — which appar­ently sees no need to byline the author of its own essay here — ends up in painful com­par­isons of pub­lish­ing to chicken proces­sors and microbrewers.

But what may be the most remark­able thing about this piece is that the Guild seems to have missed out on about a year of dis­cus­sion in our fair com­mu­nity. As Guy LeCharles Gon­za­lez writes in If not read­ers… on Google+:

There’s a lot wrong with this heav­ily biased and sur­pris­ingly myopic look at the sup­posed “back­story” of the pub­lish­ing indus­try, but per­haps the most galling line in the whole thing is this state­ment: “the rel­e­vant mar­ket isn’t readers.”

Here’s what he’s talk­ing about the Guild say­ing. I did a double-take, too:

For book pub­lish­ers, the rel­e­vant mar­ket isn’t read­ers (direct sales are few), but booksellers.

Say what? When all is connection-with-the-reader and fra­ter­nité and break­ing bread with the lambs and lying down with the con­sumers? And what of the holy cru­sade for cus­tomer ser­vice? Gon­za­lez again, empha­sis his:

Ama­zon has always under­stood that read­ers are the most rel­e­vant mar­ket and that’s why they’re in the posi­tion of power they’re cur­rently enjoy­ing. Do they wield their big stick aggres­sively? Def­i­nitely. And so did B&N and Bor­ders before them, and pre­sum­ably whomever the boogey­man was prior to them were guilty of the same thing. One could argue…that pub­lish­ers them­selves have been sim­i­larly as guilty in their deal­ings with authors.

The Guild writes, “Ama­zon com­mands about 75% of the online mar­ket for print books, and 60% of the ebook mar­ket.” Shall we then bite that hand so very hard? And on behalf of the authors who feed from it?

Say it with me, Guy, #cmon­son.

Authors Guild says, “For book pub­lish­ers, the rel­e­vant mar­ket isn’t read­ers.” They are so VERY wrong. http://t.co/QuztIkjv #dbw
@glecharles
Guy L. Gonzalez

Click to read this week’s full Writ­ing on the Ether col­umn at JaneFriedman.com.

About Porter Ander­son

Porter Ander­son, BA, MA, MFA, is a Fel­low with the National Crit­ics Insti­tute and has done spe­cial read­ings in the psy­chol­ogy of the arts at the Uni­ver­sity of Bath, UK. As a jour­nal­ist, he has worked with three net­works of CNN (CNN USA, CNN Inter­na­tional, CNN.com) and was on the lead devel­op­ment team for CNN.com Live. He also has worked on The Vil­lage Voice, Dal­las Times Her­ald, D Mag­a­zine, Sara­sota Herald-Tribune and other out­lets. He writes the weekly (Thurs­days) WRITING ON THE ETHER col­umn at JaneFriedman.com. Ander­son also is a reg­u­lar con­trib­u­tor to WriterUnboxed.com and to Dig­i­tal Book World’s (DigiBookWorld.com) Expert Pub­lish­ing Blog. He has been posted by the United Nations to Rome (P-5, laissez-passer) for the World Food Pro­gramme, and served as Exec­u­tive Pro­ducer to INDEX: Design to Improve Life in Copen­hagen. He is based in Tampa and his pri­mary medium is Twit­ter. Fol­low him @Porter_Anderson

Writer Unboxed | On ‘Social’ Media

The glow­ing Twingly ver­sion of “social” media flar­ing in real time around the world.

By Porter Ander­son | @Porter_Anderson

From Feb­ru­ary 4, 2012
The first in my series of columns on the “social” media at Writer Unboxed.

Social’ media: What isn’t in a name


O thou, my lovely boy, who in thy power

Dost hold Time’s fickle glass, his sickle, hour…

Son­net 126

The so-called “social” media, cur­rently our lovely boy of com­mu­ni­ca­tion, hold in their dart­ing pack­ets of data, surely, unimag­in­able power.

  • They col­lapse dis­tance across con­ti­nents and seas we once showed on no maps. Ariel, him­self, would weep.
  • They erase the time — days, weeks, months, even years — we once waited for letters.
  • They spin across the planet’s sur­face to sur­vey, sift, locate, tag, fol­low, and bond us to peo­ple we’d never have met in ear­lier times. Our abil­ity to con­vene global salons of cohorts in real time is unprece­dented in human experience.
  • They pump ready reser­voirs of infor­ma­tion into deserts of igno­rance and await only curios­ity to be tapped.
  • They open to us pos­si­bil­i­ties of col­lu­sion and coop­er­a­tion, con­trivance and col­lab­o­ra­tion, calumny and cama­raderie, cat­a­stro­phe and compassion.

So where do we get off being so trite when we speak of these forces?

Cute­ness is revolting

When you need your polit­i­cal upris­ing led by a car­toon char­ac­ter. (From Twitter’s offi­cial logos page.)

Shall we say with straight faces that the brave Tunisians – whose dogged grace inau­gu­rated the Arab Spring — tweeted their way to free­dom? I sup­pose they’re lucky that Twit­ter co-founders Jack Dorsey and “Biz” Stone didn’t con­sign them to quack­ing in glory or chirp­ing their triumph.

And does it make you love a social networking/sharing/bookmarking ser­vice bet­ter to find it spelled Tum­blr instead of Tum­bler? Flickr instead of Flicker? Licorize, Pin­ter­est, YouTube?

Den­mark, like many non-English-based cul­tures, is see­ing a steady rise in Eng­lish names for com­pa­nies, even when lit­tle busi­ness is done in any­thing but Dan­ska. Thus, my cable ser­vice in Copen­hagen was pro­vided by YouSee, you see.

A book­ish ren­di­tion of the Hoot­Suite owl. Awwwwwww.

My own tweets are lobbed at a defense­less pop­u­la­tion from a dash­board pro­vided to me by Hoot­Suite. Lit­tle owl for a logo. Adorable, huh? One can tweet out pic­tures with Twit­Pic. Warm and fuzzy enough for you yet?

Does it say any­thing about a new ser­vice when it’s named for the com­pany launch­ing it and a math­e­mat­i­cal sym­bol? Google+ — plus what? Plus the kinder­gart­ners who must have done that graphic on its home­page? Scratchy arrows in the Google col­ors point to a red cir­cle of your peers. Buy me the Crayons, I can do bet­ter than that.

I like Google+, although my inter­est in scrapbook/display net­work­ing is sec­ondary to my fond­ness for news-ticker-ish plat­forms. And as for the name Google+? Well, this is the mas­sive com­pany that has named the Android plat­form for phones and tablets Ice Cream Sand­wich. Hope you like it, because Google is nam­ing all the Android oper­at­ing sys­tems after desserts. Cup­cake, Donut, Eclair, Froyo, Gin­ger­bread, Honeycomb.

Isn’t that cute? Just shoot me now.

Click to read this full post at Writer Unboxed.

About Porter Ander­son

Porter Ander­son, BA, MA, MFA, is a Fel­low with the National Crit­ics Insti­tute and has done spe­cial read­ings in the psy­chol­ogy of the arts at the Uni­ver­sity of Bath, UK. As a jour­nal­ist, he has worked with three net­works of CNN (CNN USA, CNN Inter­na­tional, CNN.com) and was on the lead devel­op­ment team for CNN.com Live. He also has worked on The Vil­lage Voice, Dal­las Times Her­ald, D Mag­a­zine, Sara­sota Herald-Tribune and other out­lets. He writes the weekly (Thurs­days) WRITING ON THE ETHER col­umn at JaneFriedman.com. Ander­son also is a reg­u­lar con­trib­u­tor to WriterUnboxed.com and to Dig­i­tal Book World’s (DigiBookWorld.com) Expert Pub­lish­ing Blog. He has been posted by the United Nations to Rome (P-5, laissez-passer) for the World Food Pro­gramme, and served as Exec­u­tive Pro­ducer to INDEX: Design to Improve Life in Copen­hagen. He is based in Tampa and his pri­mary medium is Twit­ter. Fol­low him @Porter_Anderson